Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label Zbigniew Preisner. Show all posts
Showing posts with label Zbigniew Preisner. Show all posts

Tuesday, 30 October 2012

To Dream in Red is to Uncover the Veil of Consciousness



Judge

"Yesterday, I had a dream – I had a dream about you. You were 40 or 50 years old…and you were happy."

Student

"Do your dreams come true?"

Judge

"It’s been years since I’ve had a really pleasant dream." 

Dialogue between the two principal characters in the classic filmmaking masterpiece "Three Colors: Red" by Krzysztof Kieslowski

Along these lines of artistic development towards a pseudo-scientific theory of colour, the iconic German poet, Goethe, produced a volume entitled, "Theory of Colours". While not being received as proper theoretical discourse by the scientific community, this was Goethe's prideful involution into the realm of human experience beyond the sublimities of intellectual life. 

Should your glance on mornings lovely
Lift to drink the heaven's blue
Or when sun, veiled by sirocco,
Royal red sinks out of view –
Give to Nature praise and honor.
Blithe of heart and sound of eye,
Knowing for the world of colour
Where its broad foundations lie.

— Goethe

(Quoted from Wikipedia article, "Theory of Colours")

Also, see my previous post: Reflection on Zbigniew Preisner's "Silence, Night and Dreams"
_________
I wake with eyes closed. I won’t open. I can’t look. The bed feels dishearteningly unlike where I know myself to be in my present life, yet strangely familiar to the one bedroom I never wanted to wake in again. It’s my father’s, and stepmother’s.

Bedroom in Arles by Van Gogh
Cat litter sheets and the nauseous sky pelt the window by my ear, as I smell the cheap havoc about in tepid condensation of humidity, a feeling of being too close to home, where abuse reigns on every familial plane, as a tree bespattered with the lifeless trembling of a deadly morning earthquake.

The woman at the window by Jozef Israels
I sink deeper, and the outdoors opens as an unsheathed bronze, polished and brandished for timely wielding about the nascent plain of equal hue, enlightened by the western sun. As a beckoning from Manifest Destiny herself, I trudge through the yonder horizon with a mind for exploratory happiness, in pursuit of the ear and chaff of corn and grain, the dizzying panorama of emptied wilderness, where the Vanishing Indian now only lives as a politically corrected name.

Westward Ho! by Emanuel Leutze
I tip my hat squarely to the north with scythe in hand. I wander through the flooding dusk lit pasture, a son of the mindless hate staring me in the back, now buried in the lightless flat of night’s self-awakening. 

This and two other dream narratives (21st Century Space Race of Sustainable Housing & Mindscapes Interpenetrate Dream with Reality) feature subconscious experience surfacing amid the sensual spheres of daily waking.
_________
The western pathway to slavery lies feebly
over the chasm
         As a vile whore reminds us
         to put grace before prayer

In motionless wonder,
personifying the lush diligence of an ancient society
         Dismembered at the plan of a cursed monotony
               To stare into the black façade
               and feel dreams slip through sleep,
                         In and out

excerpt from "Blind Daemon"



Tuesday, 21 August 2012

Requiem For Our Unconscious Friendship With Spirit, a Paradise Lost



In the description to the above post of Zbigniew Preisner's "Requiem for my friend" written to commemorate the death of brilliant filmmaker Krzysztof Kieslowski, a quote from John Milton reads, "Millions of spiritual creatures walk the earth unseen, both when we sleep and when we awake." From Paradise Lost, Book IV Lines 675-6

"Evil into the mind of God or man
May come and go, so unreproved, and leave
No spot or blame behind: Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do."

From Paradise Lost, Book V, Lines 117-121

These lines speak to me today, as in yesterday's dream I experienced from myself such burning intense rage as I never feel for anything, never mind, as in my turmoiled sleep, directed at the smile of a new friend. And in the day after, the crooked seething in waking light transformed to deja vu and the peaceable contemplation of homeless sky, observing the street life and empty catharsis of the unreproved recollection of day, gathering myself inwardly to confront the daimonic psyche through an entropy of silence, night and dreams.

See my Reflection on Preisner's "Silence, Night and Dreams"
________
Two Latin men, both uncles of the word, they are as family, a safe haven of fraternity. Their abode, in relative disrepair, offers the kind of humble solace for a younger counterpart such as myself. When my family arrives to take me away, I shed tears of remorse for having become so loyal to their gentle friendship. Almost having left with a few of their possessions, they do gift us a curious metal mug, bedecked with silver broaches and a handle of aesthetic opulence. They warn us about a nearby volcano. If we are to mount, they say, we should not mount the East side, as the activity may fuse in a plume in that direction. 

With naïve innocence, adventurous, I lead my parents up the steaming mountain. Near the summit, the rumbling foment cracks the ground in a spray of unwelcomingly hot earth. Racing down to the foot of the mountain, the flowing lava is within earshot as the steam fills our lungs. Before the raging momentum engulfs us in its deathly cast, I raise the mysterious chalice to the sizzling winds and behold, the steam is vacuumed with the power of the entire energy of the volcanic surge into the mug, the handle remaining tepid at the touch. 
________
________
"that squirrely rascal who defended his money based on numbers and licks,
a body caressed with growing sores,
living excrement fumigating the stringy jewish marriage,
wafting scrawny alzheimer's brains over the stovetop dream,
fanned and purring as the asian lynx,
whose stormy eyes behold the revolution
behind the First Kingdom's daring ring"
...
"where words exist as bones and sculpted mountains
fire myths into the freed air"

- excerpts from "unreliable fortune

Saturday, 14 July 2012

Reflection on Preisner's "Silence, Night and Dreams"


"Dreams and silence and night are the three elements, are very important for me. I just would like to in this album give it a question for the audience. What's happened, even in the 21st century we have this completely cosmic technology, and finally our life is longer but it is not so deep like it was, you know, 10, 20 years ago. What's happened is that this technology does not help for us in our life, that we are finally more alone." - Zbigniew Preisner

"Silence that arouses anxiety. Night that envelops sadness and despair. Dreams of hope for a transformation." - Lyrics form "Silence, Night and Dreams" sung in Latin and English, from Book of Job and Gospel of St. Matthew

Reflection on "Silence, Night and Dreams" by Zbigniew Preisner

This album stopped me dead in my tracks. In a pre-evening slump of energy, I dipped down into a reclining position, to receive the fullness of a truly heartened listening experience. There was no mediation, no other attention drawn, simply and fully, I became present in the music. And it took me there. The wave-like form of the movements called me into my own being. I lay, submerged in pure sonic form. An experience not yet had swept me into a simulacrum vortex, an open mind. I slipped as it were, directly into the centre of vacuum space. As I lay in my dark room, my eyes sank in the opaque mysteries of an unearthly darkness. The sopranos melted my heart and my body of water became as the grandiose demiurge of self-awareness.

One of my favourite aspects of Preisner's music is his use of silence. The storied conceptual sacrifice of John Cage flits in my mind, and then I hear a celestial soprano. What takes me away with this recording is how the singer, Teresa Salgueiro, of Madredeus had to learn to read music solely for this collaboration with Preisner, a self-taught musician himself!

Preisner's compositional style, ever-unique, reminds me more of landscape, at once abstract, at once pointedly accurate to the infinitesimal temporality. In my ear, it skies beyond "music" as knowably defined, and in a sense becomes likened to the essence of human experience, beyond expected form, the disquiet of artistic convention. For this reason, it is a personification of dream, a direct rendering of the heart of the maker. For more listening into Preisner's dream mind, listen to "Like a Dream"

Infinitely more could be expressed, for every one of the multiple listenings I've had since the full album's played through my airwaves, though I'll let your experience and mine to be yet further fulfilled in silence, night and dreams. Such is the character of night.
_______
Night on the bus route is darker than usual. It must be a new moon, or heavy unseen cloud cover. Friends sneer at my withdrawn attitude. “What is he concealing?” the fantasize grotesque in the bored clashing of spatial insensitivity. The mood is young and innocence carries a deft presence of unsightly, childish greed. I keep to myself. “Where do I get out?” I implore into the obscure open, unrecognized concrete slabs give the lonely night its shape. We are way out past our usual neighborhoods. I am afraid, though I hardly show it. The others step down at an abandoned building leading to a bridge into parkland, a notorious breeding ground of mischief for those called into the night. I get out at the next stop. As I cross the bridge, I am encroached on all sides by my jeering friends on the bus. They ask where I’m going, what I’m doing. I simply tell them that I’ve been working at a hardware store. The tower above me, they know I’m hiding something. The hallucinogens pulsate in my sleeves with the rumble of their own palpable life, an energy known by my night wandering guests as any intoxicating scent, wafting into their needful minds with a strength beyond another human presence.
_______
Night
"If you are surrounded by night in your dreams, you may expect unusual oppression and hardships in business...To dream of night time signifies obstacles in achieving your goals. You may find that some issues you are facing are still unclear. Take more time before making a decision...extreme darkness suggests that you are hiding something or are unwilling to see things clearly...The darkness represents a lack of awareness or illumination." (iDream)
_______
"you are as a message,
complete
full
with clarity & goodness in substance

a sleeping vessel,
purified constantly with the freshest, pure oxygen
gifted from up on high

a spiritual life force known only in the most ancient virgin forests,
an ecosystem wise with earthly pleasure,
swaying to magic rhythms

you bend your heart
scaling every obstacle
materialized by mortal touch

miraculous and soothing, not tempting but calm,
an emergent glow breaks the great fever
making modern man delirious with repeated history

your very being is the cure, and every expression a sacred step
bringing us closer to a shared peace among all humanity and all universal creation,
uniting us through a creative spark"

- excerpt from "you are as a message"