The Cubism of Unity: Shelley and the Myth of Monogamy

The Funeral of Shelley by Louis Edouard Fournier

   Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so,
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.

   True love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright
Gazing on many truths; 'tis like thy light,
Imagination! which, from earth and sky,
And from the depths of human fantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with man a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates,
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.

From Shelley's Epipsychidion

The dying words of my great uncle, who would have been 92 this week, were "focus on one thing". I've always had multiple affinities. As a creative person, my mixed mediums, cross-genre, multi-instrumentalism frames of mind spill and interweave throughout different art forms. I often wonder, should I commit to one thing entirely, and from that foundational trunk, branch out into the world of infinite possibility? In my arboreal metaphor, I am a forest. 

I think my great uncle might be proud to look upon one of his favourite of the younger generation, and see that I am not following his advice. For he was an iconoclast himself, through and through. Of the first class of Jews to enrol in university in America, he was proud to transcend the status quo, the social norms and family values of his time and explore the hard-won science of novelty through physics and chemistry. 

Yet, in love, I am elastic enough to disagree with my creative self, and traveling beyond the creative-destructive duality, to see the magnificence of love as an enduring unity. I see only One Love, especially when looking upon the dear face of my beloved wife. 

The late Ravi Shankar exhibited a profound connection to intensive unity in life focus in the documentary Raga, while Lawrence Ferlinghetti espoused the delights of being a multidisciplinary artist in both poetry and painting in his essay, "From The Gone World". To each their own, to each their one, and one to each. 

See related post: Shelley and the Old Man: A Poetics of Wisdom

_________

A forest of brains, pantomime expressionism. The canvas is blank. We stare, of ancient rivalry, to whiplash a brush of paint across the rough, splotchy face of collaboration. The collaborative stare ensues. Our eyes lock under a dark cloud of empty highs and lonely madness. 

Les deux amies by Thorvald Hellesen

A pastel cubism intermingles with pointillist ink. Our minds snatch and hiss at the dizzying array of subdued pigment and hints of future colour. It is group inspiration, retching from the distended bowels of two fiercely separate artists of waste. And in a moment of communal haste, aggression holds the creative fire of my murdering hand, and I impale the throat of my fellow artist, friend and comrade with an ink brush. Our painting is finished, our art begins.

_________

"…in a play…a dream play brings up the soundless deep…in the emptied awareness of emptiness…playing on a dreamscape of silent depth…up from the upbringing…strong with remembrance in the absolute living…living among complicit guests and their following remarks…

...

…in the native dirt…and to speak to the stone…and to speak through our pain…the pain of our individuated backs…grated and remaining uncured with the booming fate of a motionless mountain sky…journeying around the headless round of the tailbone crack…remembering through a numbing moment…

…a memory…lost to the unchained back…still writhing with touched passion…"

excerpts from "Fragmentary Being"

Tristan and Isolde: A Meeting of Musician-Lovers

Yseult la blonde by Gaston Bussiere

Isolde

"...Half dreaming melt into the elements,
When they seem most alive and beautiful :
To fade into the purple of the west."

Brangaena

"...Bad dreams are said to augur opposites,
And bring us joys in weeds of sorrow draped."
Tristan and Isolde: A Tragedy. Louis K. Anspacher. Brentano. NY. (1904). Act II

I first became aware of the special importance of the Tristan and Isolde legend reading Joseph Campbell. The first known literary attribution to the tale is by Gottfried von Strassburg. The incredible mark that this story has made on Western civilization and truly world history is based on the central theme in the tale: Love. It is love, outside of Christian wedlock, which motivates the principal characters towards dissolution. For the first time in history, the cast of collectivism imposed over individuality was broken by a spell of love. Suddenly, the individual appeared at the fore of socio-cultural continuity for the first time and proclaimed an as yet unknown impact on the founding institution of social cohesion. Not only did love surmount the apex of all human relationship, the creative life, which sparks and endures love, became attainable, enabling the sacrificial character of a new individuality of self-knowledge and self-development in the art of life on Earth. 

See my previous post: From Genius Mind to Genius Heart: Wagner, Liszt and Dream's End

_________

a strong wind blows, and night falls, penetratingly raw, I pick up my face and screw it to the side of a cabin, changing my ways before the all-consuming blush of my red wife, gently winnowing my insides into the decadence of a youthful love story, she is my only one, and we decide to attend a party, by invitation to perform music, she is diligent in her work

Female Musician by Unknown

and in this response, a mystery hangs breathless with the unprofessional glint of our new friend’s weakened sigh, and stammering over the frozen concrete mold of a battering casino avenue, the wading head of sky simmers in an uncooked pit of flesh as we enter a home riddled with the divorce of youth from the useable head, dark rooms of sexual witnessing, of strange rumors, and fatherless groans, cruel mothers bedecked with the sorrow of an empty need

Monday Morning by Hans Baluschek

old children sit silently staring at a naked couple, motionless and bearing nothing but their side skin in two separate rooms of frightening disarray, and back in the foreground, the entrance hall, two young men sport a frantic jam session with homemade instrumentation, wood and stone chopped in a dizzying fray of wires and bone, strung together for a wish-fulfilled greed of rhythmic sounding, which stuns and climbs atop the phantom noose of age with momentous fleeting tones

The Savoyard by Alfred Jacob Miller

in that moment, the hostess of our strange inkling of a human party hands us a small envelope, and in it a card, reading the names of my wife and I, and best wishes in our move to new york city

_______ 

A space for listening, to cleanse the air with sacred voice,
An incensed feeling,
Touching on lost beauty within and under the strongly pressed clothing
Worn like skin that drops sadly over her neck of virulent sorrow
As a shapeless feature in the energy of her following
...
Passing through a foreign box
Crafted with a tongue for sensuous musical fruition,
To meld in the sorrow and aftermath of prehistoric eyes
Dreaming around the enshrined doorway
Through our billions in pain

Excerpt from "To Play the Chord of Humanity beyond Taoist Shamanic Heights" 

Icicle Melts in the Warm Heart of a Loving Dream

It came to her in a Dream…

Listen to “Atlantea” & “Dreaming is all I can do”

______

There is a recurring dream-character. She is reminiscent of a Maya girl who I once gifted a jade ring to in her home village in southeastern Mexico, however this dream-character also has very French features and darker, thicker hair braided in a massive pony tail fatter than her spine, looking like it’s exploded with sparks of static electric strands of finer hair in the shadow-cast light. I can’t completely see her face.

There is a great distance between us as she is always cast in shadow. The scene is one of an arranged marriage, however my wife is beside, and who as I reflect now, is to become my second wife in dream! During the night of the marriage, however, I renew feelings of love for my first wife, who is my dream-woman in real life, and abandon the younger girl who is arranged to be married to me on this day.

As my parents leave the scene to run an errand for the wedding services, they tell me about their recent news, where they’ve become billionaires and are buying homes in Newport, RI, which will be sure to benefit me and my new married life. I respond with ghastly sarcasm and they leave indifferent in their swamped lives of money and possessions. I take a car for my wife and I, and we head down the road. We are in a place similar to Connecticut, resembling the industrial surroundings on the highway to New York City.

Next, I find myself singing, as the foreman of a folk band. With guitar in hand, we perform songs on stage in front of a lively sit-down crowd in the dim light of a downtown music venue. This music follows me into the living room of my father’s house.

My stepmother is there alone, cleaning the house by herself. I am in the center of the room, practicing my singing. As she nears, I begin to belt out ever-higher falsetto notes, as my heartbeat intensified and began to shake my whole being in loneliness and stark presence against the mundane vacuity of house-making before me.

As soon as I stopped, she raced a remote control car out into the hall, as I shrunk into one of the rooms, which to my surprise was still made for a small child. I wrapped myself in an undersized knit blanket and while still dreaming, thought that her actions symbolized not growing out of child rearing and only participating in people’s lives through objectified play, an inverted disconnected electronics. 

(The end of the dream juxtaposes with the electronic music reference above, where electronic creativity is central to making intimate connections. The Buddha resides in all things, even your computer!)

Interestingly, my wife’s dream this same night had me also marrying another woman. On the night before we were to be married, the entire family and even she slept together with us in a living room on the floor space. She could hear me arguing with my wife-to-be about. “This is not how it should be, this is not how people love one another,” I would say. She felt the same strong emotions that I felt in my dream in the same night, of longing for true experience with one’s love and feeling a sense of loss at having to watch them become distant. 

______

Choose Art

Art is a choice, between perception and dreaming, when both are combined in active creativity.

The residue of dreaming infused with an enlightened consciousness on the positive qualities of becoming increasingly aware of and interacting with dreams as an essential aspect of life, sometimes expresses itself in life as the perception of art as "dreams" within reality.

The Dream Analyst says to his wife...

-Dream Analyst-

"You know when you tell me your dreams, I love it!

Please keep conveying to me your dreams, because I want to include them in my writing"

-Wife-

"Okay"

She smiles.

-Dream Analyst-

"And when your dreams during sleep interweave with your dreams when you are awake, please do tell!"

They embrace.