Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label body. Show all posts
Showing posts with label body. Show all posts

Monday, 11 March 2013

The Art of Freedom: 2 Years Since Fukushima in the Post-Scientific Era


"The existence of nuclear weapons means we could potentially create a disequilibrium, an imbalance, on the planet and the atmosphere by the launching of some of these systems, some of these systems. There are 27,000 of these systems. This is more than enough to wipe out the whole planet. You also got people working to say, 'you know you gotta save the planet.' Well you're right, we've got to save the planet. And so the whole environmental effort, as laudable and as absolutely critical as it is, can be for absolutely not in the space of hours if these guys actually went at each other." Lt. General Romeo Dallaire (Ret.) Pugwash Canada

Today is the two year anniversary of Fukushima Daiichi disaster. In my previous post, Hatsuyume of Peace, I kicked off a new paradigm in the life of this blog with reference to the apocalyptic transition that nuclear energy essentially means for life on earth. This is an enduring creative metaphor, a source of reflection that begs to be heard and never left in the silent empty ignorance. For, as the unrivalled Persian poet and filmmaker Forugh Farrokhzad said in her landmark film to inspire Iranian New Wave Cinema, a groundbreaking force of thought, emotion and impeccable insight, "There is no shortage of ugliness in the world. If a man closed his eyes to it, there would be even more." Her film, The House is Black is about a leper colony, and the humanization of treatment for a disease that simply requires attention. While the impacts of a nuclear disaster do indeed course through the blood and infect the children of the victims, there is even more recourse to action, to look, and with the kind of remembrance that breathes in the present moment, to see the eyes of the victims as through the eyes of our own children, our own mothers, fathers, and siblings. For there is evidence that it could be forty years or more to clear up the Fukushima disaster, which is the worst of its kind since Chernobyl. The transition of nuclear energy as a weapon, the atom bomb, has essentially moved the world from the era of World War, into an era primarily defined by war over intelligence, the post-cold war era. Vietnam is an example where the government authority of the United States actually never declared war, incapacitating the ability to detonate another atom bomb on a human population in Asia. We are now living in the post-scientific era, and the Age of Reason is long past. Our existence is not defined by scientific knowledge, but of technical know-how.

On an investigative bend, I took the time, as part of the research praxis of a literary arts journal, to go to photographer, Arthur Nishimura's exhibit, "Dream Country" at the largest university in town. In the exhibit, Nishimura creatively interposes landscape photography with prepared or rendered film. I went for the purpose of interviewing others who happened to stroll through the exhibit about the significance of today's anniversary remembrance of Fukushima, not only as a Japanese disaster, but as a world disaster. What do the photos of a globetrotting Japanese nature photographer say about the remembrance of Fukushima? My questions, and my approach to a conscious public as an experimental journalist fell on a silent room. In the last hour of the gallery's opening today, not one person visited Nishimura's exhibit. Instead of heading into abstract philosophic directions regarding the nature of public ignorance, I peered deliberately, patiently and acutely into the breathtaking symbology of a master photographer.



Let me take you through an abbreviated version of the exhibit, and how I related my experience of "seeing" to the memory and lasting impact, and future legacy of Fukushima. Firstly, Nishimura's piece, "The Book of Flatland Dharma - Of Two Religions: Conclusion" (1978) captivated me. It is a juxtaposition of a sacred Japanese temple, as a diptych next to a silo in the Alberta countryside. This struck me first, because Nishimura captures the elegant majesty of mystery and beauty all over the globe, yet Japan and Canada have sacred significance, yet the cultural dissimilarity could not be more clear in the way that aesthetics are a reflection of social expression. Next, in his Homeland Tourist series, "Higashi Honganji Temple (1978) flattened me with its elusive doorway of symbolic insight. The bicycle in the foreground, outside of a sacred temple in the background, emphasizes that while there is a sense of the infinite within us, we are after all impermanent, and as we ride the mundane bicycle of worldly experience to its end, the higher awe of spirituality lives on, with or without us. Finally, while there were others that struck me uncannily, I will leave off with one last one that took even more time to set in than the rest, however after peering into its silvery textures, and its striking imagery, I latched on to a hint of perennial truth. The work, "Pre-dharma Sentience" (1978) in The Flatland Book of Dharma - The Singularities series, a stone lies in the foreground. In the background, an open landscape, with a path leading to the horizon, to nowhere. What this says to me is that, essentially nature, as with our nature, is fundamentally meaningless. Nature, in its raw, open and original forms do not offer the human heart a rest stop on which the mind may imagine and conceive a reason for being. The meaning of no-meaning is the great point of flux in realizing our humanity as vulnerable, fleeting, and if at once emergent with direction, also futile and unimpressive. As Paul Valery said, "God made everything out of nothing, but the nothing shows through."

On my return home, on this unusually warm Canadian winter day, I read a very short Associated Press article buried in Metro Calgary on the legacy of Fukushima. In the article, 'Outlook bleak two years later' a quote read, "Everyone, from bureaucrats to construction giants to tattooed gangsters, is trying to prey on decontamination projects. And the government is looking the other way," said Nakamura, who refused to give his first name out to the press for "fear of retaliation". As I reflected on my train ride home through the downtown corridor, passing above rivers of melting ice and the glare of the profound midwestern sky, where the rich sunlight exposes the midriff of an aging humanity, I had a realization. Being human means taking the responsibility that we have as stewards of the land, as a conscious potential unmatched in the known universe. If we do not take responsibility for being human, then there will soon be no more human beings. We do not write the highest law, and we can not speak the highest truth. 

____________
She sets the stage with a sweeping introduction. In the impeccable garb of a beauty queen in love with life. The public gushes with heart-sleeved pandering. The world is set like a red carpet before her.

Queen by Sten Porse
The musical ambiance, the tone, is grandiose and emergent as the Jonah-swallowing fish of all-conceived breathtaking wonder. Her introduction is the mindful worship of momentary repose, for the elemental truths to seduce all through her sonic dance of grace.

Female Musician by Anonymous
She continues ever on, without me. Frustrated by my own deviance, and in the backwash tunnel of personal failure, I triumph in disaster. The airs of isolation breathe a sad remorse, the regret of guilt itself takes over like an icy bath.

The Ambassadors (detail) by Hans Holbein the Younger
I strain over my broken instrument, and snap its neck in one fell swoop. Not even a ping from the cracked strings are heard in the overarching foment of fanatic bursts and swoons of delight as the mob breathes down the throat of my love the kiss of popular contagion.

Interesting enough, the short dream sketch narrative above, and that described in my last post, where I exhibited a noetic travelogue through Sudan, have coincided with the events of the days to follow. In the previous incident, I had dreamed that I was traveling through Sudan, and had born witness to the social resurgence of positive forward movement. So, on that day, I met and interviewed Emmanuel Jal, as he accepted the Calgary Peace Prize on behalf of all South Sudanese people. Similarly, though without such heavy global precedence, the events within the dream sketch illustrated here preceded a botched concert appearance by none other than myself to accompany my Love onstage.
___________
My first exhibition of an original "sounding" in the internal collaboration of creative music with creative writing. Improbability in Upswing, was published at poeticdiversity: the poetry zine of los angeles in December 2012. In my reading, with relation to the content of this post, I am taking off towards the eye of the sun. The teeming cloud-born sky quakes with the burning rush of human flight. Riding through the energetic outpouring of modern rocket fuel, I feel a beneficiary of similar technologic might that burned the bodies and fuelled the fires of war. Nuclear energy is not far distant, and my body begins to churn with the physical imagination of experiential interdependence, smouldering at the cusp of freedom and death.



To set forth another tradition of self-publishing, every week from now on, as I offer a "sounding" of spoken word and original music, I will release a chapbook of the section from which the "sound poem" derives in the series of collected experimental writings. Enjoy and ponder the experimental imagination through visions of "Aircloudsky".

Monday, 11 February 2013

Food for the Imagination: Contributor Article Completes Sketches of Style

Dream Cuisine by RK
I am happy to present the first contributor article to SoJourn(al): Private Dreams to Public Art. I am especially proud to present this article because it speaks to many themes in the life of the Dream Author. I have been a vegetarian for over seven years, many of which were spent in the Middle East and Latin America, which posed interesting challenges. 

Nonetheless, I stayed true to a time in my life when I was thoroughly exposed to interpretive experience. My mental development was spurred on by alternative living practices, founded on a diet of psychoactive compounds and creative literature. Maintaining an alternative diet has been an essential ingredient in living a life based on principles of subtle recollection and acute awareness. 

Blurring the separation between external causes and their internal effects has been a lifelong inquiry. The experience of how foods have an impact on the subtle realms of dreaming is an invaluable source of critical thinking. As Terence McKenna put it, to "dissolve boundaries" is a natural step towards creative thinking, and becoming a seer of "true hallucinations" of which dreaming is an integral example.  

Food for the Body Equals Food for the Imagination

When Scrooge was visited by the ghost of Jacob Marley in Dickens’ A Christmas Carol, he believed that he was dreaming and put the apparition that stood before him down to ‘an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato.’ ‘There’s more of gravy than of grave about you,’ he joked. The idea that foods can influence our dreams has featured heavily in literature throughout the years. There is a commonly held belief that what is going on in a person’s digestive system can have an affect upon his or her subconscious mind during sleep. To what extent is this true though? Can eating the wrong thing really plunge somebody into a world of nightmares?

Does Cheese Give you Bad Dreams?

There is significant evidence to suggest that eating healthily can help to keep a person’s mind to remain healthy. According to the Dieticians of Canada, maintaining a healthy diet can reduce irritability and mood swings and increase an individual’s ability to concentrate. Does this only apply to when people are awake though or does it also make a difference when they are dreaming? The food that has the strongest association with nightmares is undoubtedly cheese. However a study carried out by British researchers in 2005 suggests that there is actually no correlation between cheese consumption and bad dreams. The results of the study actually indicate that different varieties of cheese are capable of inducing specific types of pleasant dream, for example cheddar cheese is thought to lead to dreams about celebrities. The good dreams that cheese can bring about are believed to be due to the fact that it contains the amino acid tryptothan, which is commonly linked to a reduction in stress.

A report published in the Folklore sociology and anthropology journal questions whether the idea that cheese causes nightmares is linked in some way to its association to witches in literature. In ancient Roman writing, women who were viewed as potential sexual partners were referred to as ‘cheese’. In eleventh century English literature, several stories about ‘night witches’ came into being that included references to cheese. Folklore suggests that this was used to imply that the witches had a sexual element to them and wished to corrupt their victims by exposing them to sin. The report puts this forward as a possible reason that cheese might have ended up being blamed for bad dreams.

Spicy Foods

Spicy foods are also thought to lead to nightmares, which is backed up by the results of a study that was published in the International Journal of Psychophysiology in which a group of healthy men were given spicy foods to eat before they went to sleep. They were observed to have a more restless night’s sleep than they did when they had not consumed any spicy foods before they went to bed. The author of the study speculated that this could have been due to the fact that the spicy foods had elevated the internal body temperature, causing the discomfort to work its way into the participants’ subconscious and leading to bad dreams.

Unhealthy Foods

Research cited by Justine Sterling of food magazine Meatpaper indicates that consuming foods that are high in sugar or fat immediately before going to bed can lead to nightmares. The study also indicates that going to bed on a full stomach can bring about bad dreams and low blood sugar caused by going for a prolonged period without eating can lead to vivid nightmares. This is because the body releases adrenaline when it is desperately hungry, which translates into the subconscious.

Mustard

Mustard was another foodstuff that Scrooge blamed for Marley’s appearance – and with good reason as well, as a study carried out by researchers at the Department of Biochemistry at the University of Tasmania in Hobart, Australia, indicates that consuming it can result in nightmares. The researchers concluded that this is probably because it contains capsaicin, which can change the body’s temperature and lead to discomfort. It appears that what we eat really can affect the way that our minds work once we have passed over into the land of sleep. Perhaps cheese was not the main culprit in the case of Scrooge though; maybe Marley was merely a result of too much mustard before bed.

Evelyn Donaldson is a mother of two and full-time writer. She grew up in Idaho, but now lives in Kansas. She recently became vegetarian and has long been interested in dreams and their interpretations.
__________
My blanket drifts up into sky, its multicolored fabric bleeds scarlet and lime into the nearing front of storm clouds gathering. The wind-whipped fabrics touch and scatter the bedroom floor, above without ceiling, empty unto the grandiose firmament. I wake to the numbing air, as on a mountain summit, where the thunder resonates in delicate cyclones. As I rise, the storm pierces the earth with overgrown fingernails of Zeus. A crepuscular storm, breathing in an unwelcome morning, filled with signs of a new god. 

Jupiter and Semele by Sebastiano Ricci
And the machines of war rape our Earth. Nazi terror sweeps as the witch’s broom throughout the countless, destroyed Jewish homes of Europe. My family is strangled and sucked clean through the medical tubes of an astral fire as hot as the blunt knives of torture. I escape. To Russia, I follow the blank news pages with a heart kept earnest. Directions swarm as the buzzing of toxic insects, and my rivals are blended as fruit sap in the teeth of metallic pincers. 

Nude II by Willy Fick
In the heart of Russia, I am free; yet full with a dark heart. The Earth trembles and fades each day with a transparent rush of nostalgia. I wish and writhe for the beating hearts of my beloved mother and father, sisters and brother. The wedding feasts and blind bliss, how we gorged on the salt of the seven seas with triumphant abandon. Every day, there was a moment of repose.

Cigarette Seller (Wandering Jewish Man) by Dome Skuteczky
We knew the day might come, when all would be rent, cleansed by the impotent flood of mad war. Should I wander further astray, eastward to the cold forest sands of Siberia, or westward, to the commercial forge of America, and sleep by the pill of forgetfulness? Lost again, if found anew, will I be recognized? 
___________

As per SoJourn(al) tradition, I have prepared a free PDF for the entire Sketches of Style collection which has been excerpted in the past few months in complement to my dream writings. 

Enjoy! 



Saturday, 24 March 2012

Changing the Subtle Body of Dreams




“Visualization is like a language that you can use to talk to your subconscious. Your subconscious is the part of your brain that’s in charge of a lot of things, but one of the things it’s in charge of is your body’s unconscious processes. How much oxygen you need is not a conscious thought…how much your heart beats is unconscious…We’re being run by a brain that we can’t talk to, but what I’ve realized is visualization is like a language that you can use to talk to your unconscious…Visualization is the universal, or symbols, is the universal language for people that don’t speak your language, your body doesn’t speak your language…look at the picture…look through it, let your subconscious absorb it for just thirty seconds, and then close your eyes…and you do it when your mind is calm and powerful and relaxed, your subconscious understands…”

- Jon Gabriel, Author and Weight Loss Expert


“The #1 best way to digest stress hormones is sleep, and deep sleep will metabolize excess cortizol and epinephrine [stress hormones] better than anything else…sleep as long as you need to and whenever you can.”

- Dr. Christiane Northrup, Best-Selling Women’s Health Author

From “Hungry For Change” ONLY 7 DAYS LEFT TO WATCH FOR FREE


"Rest During the Day, So You Can Sleep Well" - Shirazian Proverb
_____________

I am at the dinner table of my grandmothers in Upstate New York, it is a large table where all the extended family eats for holiday celebrations. I am sitting next to my Father, who is curiously interrogative as to why I am not eating. I begin to tell him about vegetarianism. I say to him that since I can’t eat what’s on the table, which appears to be a meat-based, carnivore’s delight as usual, I am not only handicapped that I can’t eat, but as a vegetarian I must eat more frequently than meat-eaters. This puts me at an increasing disadvantage for when there are solidified times when eating becomes an event and there is not much to eat, so not only am I extra famished because I haven’t eaten, but because I need to eat at a different frequency. I go on to add conversational topics on the experience of being vegetarian. After which I am shown to a mouse cage. The cage is covered in glass walls, almost resembling a reptile or spider pet’s home. All at the table seem to be watching, as I reach into the mouse cage, though there is no mouse, I am reaching for something to close the cage, though as I do, the cage gets bigger and I become smaller. As soon as I am aware, I am in the cage, lying over the pine shavings.  
____________


in a relationship that hovers above
our felt dreaming 
days that drift perfectly
to reflect the pain that grows in scams
of conversed soliloquy heights,

and merging, thoughtless to a secondary grin
she mumbles across the thin lips

a fan of starved off love 
in the dry heat of shocked suburbia 
20 rooms

holding the fact of disassociated family praise
and social malaise
ruining the worst trial
into a gross and thick tide
sucking back the curling emotional stupidity

- excerpt from "Lotus Feed

Thursday, 27 October 2011

Forgetting the Words at the Metaphysical Altar of Caucasian Man

The Seven Sorrows of Mary, middle panel, scene of the twelve year old Jesus  in the temple by Albrecht Durer

At a mind/body/spirit gathering. People are discussing peace and harmony in a celebratory manner. What I notice right away is my naked husband laying on a mat. The people consisted of Caucasian middle-aged men and women of various metaphysical traditions. Up to 8 people surrounded him on either side as if beneath an altar. He is covered in beautiful flowers, beads and leaves. He was being utilized as an altar. I was focusing on his navel area. I was amused and bewildered. Everyone was amused and giggling, resting on his lower torso area. Everyone seemed to have forgotten what to say. I felt warm and heard bells. I saw he was also amused. As soon as I saw his face I woke.

Monday, 24 October 2011

The Mother of Buddha Had A Dream

Thai Buddhist Art by Anonymous


Twenty-five hundred years ago, nestled in a fertile valley along the border between India and Nepal, a child was born who was to become the Buddha. The stories say that before his birth, his mother, the queen of a small Indian kingdom, had a dream.






A beautiful white elephant offered the queen a lotus flower, and then, entered the side of her body. When sages were asked to interpret the dream, they predicted the queen would give birth to a son destined to become either a great ruler or a holy man.

One day, they said, he would either conquer the world, or become an enlightened being—the Buddha.

from "The Buddha" a PBS documentary by David Grubin

Saturday, 8 October 2011

Discolored Urban Landscape Sexualized in Youth


Ciudad by Ulpiano Carrasco


The landscape is a discolored, underdeveloped urban setting rising high up, similar to urban sprawl of Cairo, favelas of Brazil and the outskirts of D.F., Mexico, I can see out from a high rise, immediately outside the underdeveloped core are more riche developments that look more like suburban residences in Boston, upstate NY or Washington DC, then after that ring which has a certain brilliance and illuminates in the harsh sunlight much clearer than my immediate surroundings in a somewhat dim vantage point, the most outlying division is a pentagon-looking, round-shaped government-type building similar to the famous MIT hall in Cambridge, yet the building is surrounded, as are all outlying developments, with dense low-lying jungle similar to southern Mexican traditional Maya lands, I seem to have checked into the dilapidated high-rise I'm in, as it is a hotel. I'm with four others, 2 guys and 2 women my age, one of the ladies looks Provencal French with a Roma nose, the group becomes quite sexually aroused and active, altogether, I'm observing with care how they treat the French-looking lady as her naked body is mounted revealing a pointed mass of moving genitals, the group soon disperses with an air of slight dissatisfaction, I seem extremely anxious and leave the building

Sept. 29 2011

The Adulterer’s Music


Fighting Peacocks by James Abbott McNeill Whistler


Café in downtown Calgary, Canada, my love plays in a duet with another musician, a pianist, they don't make any effort to invite, I sit alone, and watch their music, then they leave together, my love and the showcase artist both make jokes with their naked bodies, and on a stage a temptress exposes herself to me, I walk alone on the street with my love's backpack of music equipment, abandoned

Sun, May 15, 2011

Monday, 3 October 2011

Dreaming in a Transitional State

I am currently in a transition period in life, living in a place where I'm not allowed work or study or do any sustainable human activity, as I am an immigrant in a liminal state, not unlike the dream state, where I see the contents of my mind as if I was fully present, however, I recognize, as I am recognized by society that I am not completely here, am I sleeping? 

I am emigrating from my original place, am I dreaming? I am creating myself anew in this world sparked by minds filling with the stuff of dream, to go beyond body, naturally. To dream is natural. Dream.