The Wordless Dream Language of Myth

Chinese Goddess Nuwa by Unknown

"Until we get to dreams, there is a tendency to think of stories as 'words.' In dreams we experience stories as structures and patterns that evoke images and experiences, often without words...In dealing with dreams, such noted authorities as James Hillman have instructed us to "hold the image."By 'Holding the image,' the conscious mind can begin to discern patterns and structures that can eventually reveal rich psychic content...Some have said that, 'Myths are cultural dreams.'" Ontogenic Mythotypes by G. Charles Andersen

What is the relationship between language and dream? Dream is a language in and of itself. Language is mutable to Dream Language, when traditional dream interpretation is foregone, and creative writing is utilized as a means to "hold the image" in the mind of James Hillman. Such psychological import brings to mind the psychoactive artistry of Laurence Caruana and others who have respected the imagination as a prehuman remnant of archaic information. "The world is made of language" says Terence McKenna. And so, in using that language, we may hear our mythic vocation, a calling towards that which we had never dreamed, unearthed as from the unsaid and unconscious mysteries of our own psychic invention. 

__________

What a breath of fresh air! To drink, and see. I could feel my brother’s weeping, his heart caving in his shaking flesh as he triumphed again over a nervous breakdown, carrying him by air through the over-privileged dome of Western skies. And into the darkened haunt of old coast bumhood, and the numbing agents of a musical life amid the New England smile of selfish mockery and divulging swine. The ruthless remark, a self intensified in the bitter alcoholic night, the cobblestone streets, swept of hurricane feet and tires of his once-sickened flight returning.

Lombard Landscape by Fulvia Bisi

At home, lost to the time of his forgetting, he returns, an old man in his distant youth. The tingling respite of belonging in the gutters of Eastern fame, the ruinous gold of a mind enslaved to eternal seeking, he clambered down tumbling steps of creaking wood and linoleum brains, as I stared immobilized into the dark porch silhouette. A large man sat there, with dreadlocks lower than his back, and as he lifted an ember of smoke to his lips, his dark skin shone with the muscular life of a physical laborer on break, alone, a nameless body of the historic present.

Man with a Hoe by Jean-Francois Millet

I could only see him clearly under the bar lighting. The dizzying indoor lunacy of the drinker’s habit, a hovel of bored and roughened life spoke through his bristling mouth. After the rare silence of a few pints, he ended the night with means to see each other again. And like that, he disappeared in the great fog of blackness, opaque as the light-polluted air of a once booming industrial city, now smoking upward with the final ashen gasp of smoky incineration. 

__________

“What grievous horror betook these dumb streets?”

Touched with the unkindness of a meek following
From the near elderly, an old town deemed to inquietude
...
Taking off the English hat of a long gone America
Seeing no one in the mist fired laugh from this war

Breathing ocean
Suffocated by the calm before the storm
...
Clucking behind the chicken wire of suburban fate
...
Gripping for death at the edge of the western, manifest

As nature’s law thrives in disbelief

excerpts from "Calm before the Storm"

The Archaic Rape of Earthly Society

"Society is designed so people are free to choose their own interests, develop formerly hidden potential, and pursue dreams without government intervention or financial constraint." (p. 78)

- Final sentence (before the conclusion) in Jacque Fresco's book, "Designing the Future" of The Venus Project

_______

I can see the eye of the storm. The massive plain tumbles and writhes under the violent sky. Winds frost and spit with ferocity over the engulfed earth. With dramatic sweeps, I gesture into the monstrous movement, the land hurricane slows with animated motion with my every beckoning.

In a torrent, I glide effortlessly directly into the eye of the storm. Debris swirls about at lightning speeds, coins engraved with headdress-adorned figures move into my vision with holographic reality.

In a misdirected bout of blind seizing into the frothy gusts, I grab onto a globular orb. A living replica of Earth, the orb is with piercing light, vibrant with enduring mystery. As I begin to recognize continental form within the orb, gazing with absolute absorption, the storm subsides overhead.

I am safe, overlooking a ruined high plain fever of ancient life. Aztec, Mayan and African features bedeck a man and his two women-wives. There is a striking, volatile cruelty in the air; survivors of the apocalyptic storm are moved to a traumatic escalation of end rites. The man is fully armed and adorned in ceremonial dress. He forces one woman to dig in the mud.

As I observe, I feel a heavy weight around my neck. I look down at my breast to find a brilliant necklace, of thick girth, bejeweled with precious, exotic stone, around my neck. The woman, bent over, with bottom up, is penetrated violently by the man, thumping into her so hard that blood streaks down her thighs. She continues to dig at his command, while she is raped.

In horror, no one notices I am present, watching the stubborn abuse, shocked. The man grabs her vagina as he continues to penetrate her, wiping his face in the putrid blood. “This will make me young again! Whore!” he yells in wild abandon.

As the hole she’s dug becomes large enough for her to sit in, he pushes her, laughingly in the subsurface mud. Other men walk over, sick with tortured minds, they lower their loin cloths and ejaculate into the mud pit, as more and more men fill the woman’s pit, others pour in creamy goat’s milk.

The lady, neck-high in the lowering goop, cries in terror, her psychotic eye gleans a ghastly stare into my eyes. She’s the only one who notices my innocent presence. The other lady then climbs atop her head, naked from the waist down; she begins menstruating a gorge of blood into the pit.

Speechless, I race forward with the orb in hand, and leap over the menstruating woman on top, stabbing her in the back. Impaled, the woman immediately becomes a skeleton. All the others follow, becoming the shallow dust of incinerated, skeletal remains. The orb transforms from its metal shaft, on top a gold coin forms.

The entire ritual site is then swept in the height of the storm once more, as I look into the engraving on the gold coin topping the orb, swirls of coins and debris, with feathery headdresses and ancient icons flash and flicker in the fading mud of ground, disappearing below me. 

_______

Rape

"In a dream, as in real life, rape has very little to do with sex. It is about power, control, anger, and other very destructive emotions. In order to understand this dream, you may need to think about the areas of your life that causes you great anxiety and fear. If you are superstitious, take this dream as a warning. Take precautions, protect yourself emotionally and physically and don't engage in careless behaviours. A dream about rape (whether it was you or someone else being attacked in the dream) suggests that you are feeling violated in some way. Something or someone is jeopardizing your self-esteem and emotional well-being." (iDream)

_______

once travel to a foreign country becomes reminiscent of that
one too-many,
that last girl
before profound commitment
to feminine and masculine union

in the outer-penetrated world,
that person must begin anew to create novels;
i.e. the moment's performance in novelty

a historic moment, the duration of time itself,
temporal currency formed and formless together,
emboldening our hands

sweet as the dreaming, unborn child,
in mother's prophetic womb

lit with raw desire
to fill the inward sky with primordial flight
bringing life to a boiling gamble

...

smoothed over with aged, colonial bureaucracy
craving selfless deserts
to be in solace,
yet drained with inhuman night

an eclipse spans this biblical day
cast over a rude Mesoamerican eye

...

a near-rape
whose victimized lover embodied human love
with the animalistic need to survive,

and the virgin blood
glutted in cults

alive with a supernal darkness
unto depths that thrive on the breast milk of Mother Earth's deeply passed esophagus
drawing aphrodisiac urges

to thrill onlooker's gods with human creation,
flooding the universe
as lactations' milk warms the needful infant's belly
still dripping from the inner womb
flowing with primordial goo,
their warmth is the bed in which we feel unprotected

sex

losing grain
as the foreigner's sites are exhausted before the eternal Altar,
whispering "Create!"

- excerpts from "travel to a foreign country" 

Weathering Tornados from The Lover's Music

Vi An Music

"If we go somewhere on foot, we know the way perfectly, whereas if we go by car or airplane, we are hardly there at all. It becomes merely a dream." 

Excerpt from "Meditation in Action" by Chogyam Trungpa

_______

On my way to see my Love! She’s giving a presentation in a high tower, what a glorious teacher she is, a teacher in secret, with hidden wisdom and enlightening prophecy leaking clean out of a package of such humble eloquence.

The road is dry in the warm, new summer air. I see a woodwind shop to my left. A Xaphoon, hanging in the wall! Why, I do have one at home, but that one looks so beautiful today! I have been enjoying this instrument so very much, but I think I’ll have to buy another for the special occasion that is this day. In the shop, a saleswoman is short with me. No extra conversation ensues despite my attempts after I’ve decided on their only functioning Xaphoon. For the $30 I walk away with my new instrument, smiling quaintly in sweet visions for the day, gaily in love.

I arrive to the towering silver building. Strangely, I decide on the stairs. Massive windows bedeck the entirety of the walls, the low plains stretch as a mercilessly singular mural throughout. I find the room of my love’s presentation. There she is; a ghost of decadence, beauty, a word in her honor, is unready for its true name. In her presence I am light with the fresh gold of summer dreams. Her hair is bunched and flowing, the gargantuan black mass swells and streams down her side as a mythical waterfall of visceral lust, untouched and unrivaled by any substance beside. As I move in closer to her, weary as not to interrupt her occasion, a mirror image of her hair in the sky appears!

A black, icy fleece of cloud boils upside-down into the gleaming pasture, a wild tornado approaches! “This is a building of glass!” I scream weakly and run alone back into the stairwell to find sanctuary. The tornado crashes violently. A 9/11 of natural law brews gravely in the high destruction. The crude aftermath burns with electric ash as the ruins fume, awaiting the ever-darkening sky for yet another whiplash. Too afraid to return above, I journey onward outside of the city core, with instrument in hand, I dreamily invoke the unmoved trust of community in the survivalist reign of mounting fear from the shape-shifting sky above. Human vibrancy responds coolly in the aftermath of lost pain.

_________

Tornado

"If you dream that you are in a tornado, you will be filled with disappointment and perplexity over the miscarriage of studied plans for swift attainment of fortune...Tornadoes in dreams suggest you are very angry about a current situation and are afraid to express your feelings - which you need to do - for fear of hurting others."

________

Echoes from the polar wisdom of our earthly rotation
unraveling the truth in the thousand-worded letter
and pictographs of ethereal meaning
climbing through the bowels of a holy mountain
to the void of spiritual absence
in the land of prophets
unheard since ancient words lifted
to the ceiling of the temple built before time

On the sands of the strong & fuming,
leaving no one to posit an older order of belief

In sky temples & borders that signal friendship
enmity awaits in the selfish vine
a mark where the western mind strayed too far
to become its own enemy
in the reflexive mold of war
for basic rights.

- excerpt from "Royalty of the Weird" 

Storm of Electric Eels Compels us Inward

Rock Arch West of Eretat (The Manneport) by Claude Monet

On the Mattapoisett bay rocky shore line, looking out over a concrete runoff, with my Dad and cousins from New York, we are observing electric eels in the water, as a breathtakingly immense storm washes over our feet and stings our eyes, the sky is dark with the most heavy cloud cover I’ve ever seen, and suddenly a plane dips through the sky and crashes careening in smoke as black and thick as the clouds above, and the sea begins to swirl and swarm with fantastic waves that rise above our normal conceptions of the ocean’s storm-driven madness, and we recede further away from shore, a spell of doom cast in the lowered sky

September 4, 2011