Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label lotus. Show all posts
Showing posts with label lotus. Show all posts

Monday, 8 October 2012

Vishnu's Universal Dream of Creation: A Philosophy of Art

The Recumbent Vishnu and the Creation of Brahma from Guler, Himachal Pradesh, India
The painting shown here is an illustration of Vishnu reclining on Shesha, a serpent alluding to the meaning of infinity, or Ananta, also one of the many names of Vishnu. Out of his navel, springs the universe, which is Brahma, pictured here as multi-faceted. Here, Brahma appears as the dream of Vishnu, dreaming the universe into existence.

The role of Vishnu as the existential dreamer, whose dreaming is the experience of creation gives the mythology of Vishnu profound meaning for artists and all creative thinkers. The striking thing that caught my eye about ancient Indian religious philosophy in relation to creative writing, is the way in which Joseph Campbell describes the role of Vishnu in leading the awe-inspiring traditions of ancient Indian yogic philosophy towards a recollection of the shattered mirror of thought and creative inspiration, into one yoked unity of enlightened perception, which is seen in its fullness as Vishnu eyes the dream-lotus of universal creation.

Read Joseph Campbell's brilliant article, "Hindu Wisdom"

Also, check out this arts book, interestingly eponymous with the Dream Author, called, "Secrets of Rusty Things" where an artist explores found art with mythological application to the creative dreaming of Vishnu's in-sight.
_________

Lightning premonitions, deft déjà vu of tone, the amalgamated voice of anger enunciates towards a new acquaintance, a poet of Canadian life. And in that rage, the unearthed moans of my internal aching, the gorge of indulgent emotional farce, an awakened source, spiked with the thirst of a skinless napalm victim. My life pains for the strength to express such incendiary anger, a pure rage, undignified.

Chemical Kali by Srimati lal
So, within seconds, a brief passing, I apologize with sturdy feet. My breath is steady, and at once I am relieved from my internal night, the concave flexing of cavernous rock, a burden of upended implosive tension. The wilds burn with stolid elasticity and I am inflamed with a secondary respite, at seeing my name lit towards the ceiling, and reacting with confident force, eyeing my winnings; a recognition of literary achievement, in multiple categories, standing beside renowned academics and independent artists of creative literacy.

Vishnu sahasranama manuscript by Anonymous 
I am bedecked with opulent outfitting, and walk to receive my medals with an ostentatious headdress and unnatural clothing. A blathering fake of heady fame, I steal through the tables clumsily and jeopardize the entire name, quickly hiding in the utter obscurity of another day. 
_________
A gourd filled with smoke speaks in a voice,

          Human,
A mindless bowl
                    of mirth
                             inflamed

glasses grow cold in the unheated concrete glue,
                    a fixture of the dead past

a golden consumer begs with a throat full of tears

in front of speakers
                 throbbing with broken-hearted names
                 burning up in a heat of worldly instrumentation,

transcending this same-self curse
                 with a storied high
                        of nameless voice
...
a spiritual womb formed
                        at the fingertips of an artist healer
                                     pursuing the groove of an epoch
                                     stolen from the mind of silent law

in a world’s motionless yearning

                 from afar

in the dark
fearless
night

excerpt from "A Joke Downstairs"



Friday, 25 May 2012

Vietnam! Your Season Is Eternal!



Maimed Poet

"I sometimes have this dream of leaving the temple to return home. I dream my fingers have grown back and the swelling on my face has subsided. I dream that I have with me a dozen baskets of my best white lotuses and travel to the floating market of my youth. As I approach the women I would free all of my lotuses into the water and watch them float through the market like a white river. It would be then that I had finally returned home. Set free and pure. Then I would wake up into the black night and realize it was simply a dream, one of many that will never be fulfilled."

Lotus-Seller

"It is not too late."

Maimed Poet

"It is late. It is later than you realize"

- from "Ba Mua" (3 Seasons)

"My body is like the jackfruit,
Its skin prickly, its meat thick.
If you want to test it, then drive in your stake,
Don't fondle the surface, or sap will stain your hand."
("The Jackfruit")

- Ho Xuan Huong, Queen of Nom Poetry

Listen to Vietnamese Folk Poetry


Where is that land, worth fighting for, worth dying for, loving and dreaming for? 

Where is that land stronger than our Western fathers, who defeated the brunt of genocidal ambition, and lived to tell the tale?
______
We both walk into a building. There is old, thick carpeting. I smell musk and old, lingering dust. Chinatown, very mildew-filled atmosphere with dusty, we walk into a building. A set of stairs leads us left. We walk into a room with many bleachers looking towards a stage. We walk up the steps and we find our seats. It’s theatre seating. I notice two young men who are now much older. When I met them they were elementary school kids and now they are adults. They grew up with me in our apartment complex, upstairs. We notice that there is a kind of Taoist ceremony happening in front of the stage. There seems to be somebody in the right corner of the stage, appearing as a schoolteacher or Taoist priest, accompanied by a luthier. The luthier is fixing three Koto instruments on stage. I take note of the three Koto instruments; they are very old and large. When I went up to them, I realized they were very cheap. They were just effigies for a ritual, paying homage to something unknown. I found myself walking out of the auditorium into another neighbourhood. 

I quickly realized my husband was no longer with me. I found myself in a workshop. There were construction workers, male and female in overalls, squatting on the ground, hammering and working on things. I noticed one guy was the site manager. I wanted to impress him. I started working on something. He said, “you know, we pay $25/hour here.” I said, “I could take on this job.” He said, “You’ll work ten hours here.” The whole time I was thinking about my husband, wondering where I was. As the sequence progressed and I kept working harder, lifting wood planks and wires, I was doing really well. It came time to leave. I picked up my shoes, bags and coat. I walked towards the door. The manager looks at me, chuckling. “You wish your husband was here right now,” he said. “More than you know.” I said. There you were, gazing at me with loving eyes. He’s right behind me. I was totally taken back, embracing you tightly. I rested my head on his chest and said, “My love, you saved my life.” He responded, “I’m here to walk you home.” My heart pulse became more regular. I smile.  
________
Work
"To look for work, means that you will be benefited by some unaccountable occurrence." (iDream)
________
“Look...to the horizon!”

“How prophetic…”

“Be patient...look!”

“Give me your gun.”

The creature defies the boundaries of human sight
on Earth.
A rarity unspoken.

“Something to tell the grandkids about!”

“Don’t say a word.”

- excerpt from "To The Horizon"