Talmud and Dream Interpretation: Thoughts of a Secular-Cultural Jew

Talmud Readers by Adolf Behrman

“Dreams which are not interpreted are like letters which have not been opened.” Talmud

I am a cultural Jew, a secular Jew, an ethnic Jew. As singer Arianne Zuckerman once said, I am "Jew-ish". Yet, I revere the tradition of the Talmud. As far as I know, it is the source of a great wealth of pride in the intellectual strength and heartened closeness to tradition that Jewish people have maintained throughout generations. We have kept our traditions intact because we are flexible. The Talmud is a massive compendium of volumes steeped in argumentation, discussion, rhetoric and criticism on the sacred text of the Torah. The Old Testament is not Old, it is vivified by thousands of years of continuous self-criticical analyses and contemplative thought. The Talmud is the tradition of intellectual meditation on the sacred word. No wonder why dream interpretation is honoured, as the Talmud is one of the oldest forms of imaginative interpretation known in book form. For more in-depth understanding of this quote, see Erich Fromm's work "Forgotten Language."

__________

An old woman sits languorous outside the concert hall entranceway. Her excessive body weight slumps over a barstool with the heaping fatigue of an overworked heart. Yet, in her eye, there is a glint of sound reason, a harmonious vocation towards authentic humanity. I stop for a moment to share a few words with the curious and unseemly woman.

Woman playing a kithara by Anoniem
(Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale)

I become so filled with sympathy for her life story. I run out onto the street, looking for a candy that I recently became aware that she enjoys. All I can find is a broken piece of chocolate on a dirty sidewalk. In my nervous frustration, I dust off the candy and walk back into the hallway. As I step cautiously through the alleyway to the concert hall, a man a few years my elder feels he must give a word of advice.

Two women at the street by Ernst Ludwig Kirchner

"There is no sense in your sympathy," he affixes his language to my throat like the strangling inexorability of truth. "I've heard too many racial slurs from the mouths of your likening. You'd like to give back, and yet you cry on a pedestal," he musters an incendiary rage, of darkening complexion under the flickering streetlamp. "How many times have I heard your story, I'm Jewish, so I can empathize," he continues unalloyed. "And when you speak of G-d, I am utterly disgusted."

____________

The Italian connection, un-swayed by the prudent fire of tango nights
       stirring wilderness roosts
                in the back hall of some sterling porch façade
                in the mundane sky of an after-party dimming
                       beside alcoholic whiteout praise
                       and the ruined name.

excerpt from "The ruined name"

Vibrant Dream Colours from Water Fasting

Fasting & Dream - Water & Lime cleanse, 7 days

Details: dreams are very realistic, relaxing without unusual, frightening tangents, if I noticed weather, colors or textures in the dream it was always very pristine, a lot of conversation style dreams, where when I haven’t fasted I don’t recall ever having dreams when conversations ever made sense or went anywhere, though conversations in dreams when water fasting was similar to having a conversation in daily life, it wasn’t disjointed or restricting, speech was very flowing, surroundings are extraordinarily vivid and lucid, upon eating again, bad dreams return...

_______

An Iranian friend, steeped in the tragic wisdom of silence, broods in a shadowy corner. His long Sufi beard and uncut hair masks him in an aura of incredulous perfection, looking from stolid eyes at my cowering brother. We are in a room of ghastly hosts, a live auction of sorts, only to entice participants in creative performance. “Create art to reflect your dearest love relationship!” The auctioneer steams with cacophonous temptation. My love stands upon the stage, white and delicate. Throwing myself in a purge of color and form, I choose vermillion, ebony and a touch of cobalt. The canvas thins over a pale, dried grass and carpet springing untamed from the welcoming floor. Without impediment, I stretch a rudimentary sheath of black over the rough medium. Paint filters in between the cracks as I begin to include a light bluish, red-bordered sailboat along the top of the canvas. I draw with unknown talent, creating instantaneous angles and exacting renditions of my sailing ego upon a clashing infinitude of ocean waves. The ebony drips flat with humongous brush strokes into the saturated grass and carpet thread, conveying icy death in the storm clouds beyond. The ship tosses, animate in the innumerable play of dancing strain on the veld of sea and sky. Livid vermillion lies agape near the sun-opened crests, stark, aflame, directing the sail away from the inexorable closing of opaque storm ahead. I embrace my love, unafraid.  

_______

Painting

"Dreams about painting often signify renewal and emotional growth for the dreamer...The painting is symbolic of your intuition and inner realizations." (iDream)

_______

“A beautiful body

gone cold with death,

yet still contained in glad purpose

towards another weary world decay

feeding sacred bushes that smoke & thin in the desert winter

blinded on sandy beaches, hidden beneath a glade & cliff,

as profaned skeletal thunderbirds fly with mouths shut

before a lunar god dreams a song inside another human.”

All so caught up and timed

each finger presses against her hair

and her snoring wink uncovers a madness in spring

bringing together all things in the mystery of continuity

- excerpt from "Repeated Dance of the Fluid Earth"

Moroccan Blues Visitations and Riding an Exotic Animal through Suburbia

Traum by Franz Marc

In a small home, I barely have any clothes on. A recent friend made, a calm, collected man from Morocco, lover of music and conversation, appears to be somewhere near my door, expecting me to engage in a night on the town. Instead, I act as if I am unprepared for the visit. He says to me, “Well, what about the Blues!” as if I need to see some live blues music. There are some other people in the small living space, I am still getting dressed as about three others pull out electric basses and other instruments. I also take out a bass, and while we all begin to jam, I get extremely creative and lead the jam with an experimental, percussive approach to the bass that is at the same time quite bluesy. The people in the room admire, and the Moroccan man seems to have had his fill of blues and respectfully exits my living space.

Next, I am in what seems to be New England suburbia, exploring a yet to be developed area of housing projects for the upper middle class of America. I find myself boarding the top of an elephant-like species, a huge towering animal, that is at once friendly and at the same time seems to represent an extinct being, with great tufts of light, matted hair and an unusual shape. The animal is very warm with me as we stride carefully along the margins of a paved road as it ends unexpectedly off into the under-developed woodlands of the northeast coast American ecology. Suddenly, the animal takes off after letting me down, through the forest. I watch, feeling an empathetic compassion for this animal and its charge into an unredeemable fixation with a wilderness on the brink of being tamed.  

Friday, October 7, 2011