Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label Tara. Show all posts
Showing posts with label Tara. Show all posts

Wednesday, 1 August 2012

To Dream Is To Conceive An Other

"I had a dream also before you were conceived which was quite interesting, there was a being there standing in the corner, it was a male, and said to me in the dream, said, 'please will you give me a place in your body.'" - Mother of Tulku, from the film by Gesar Mukpo

I have a friend whose named their first son a Tibetan name after she reportedly had seen the child himself appear in full bodily form prior to conception, asking if he could be born through her. Is he a Tulku? What does this say about the mother? Do you have any similar experiences, first-hand or otherwise? 

As a reclusive student of Buddhism, who became delightfully initiated into Green Tara devotions with a Rinpoche Geshe Lobsang Tsetan at a chance meeting, and in that series of meditational initiations befriended a forest hermit who's been a lifelong supporter of my work ever since, I will add my opinion on tulkuhood (please see my Green Tara Post for more). 

In my reading and meditation, I see Buddhism as an enlightened practice of seeing, in the way that Joseph Campbell saw myth as creative perception, and the way that Terrence McKenna saw shamanistic hallucination as an archaic mode of seeing through the phenomenal nature of human subjectivity.

In other words, I see tulkuhood as a universal expression of a natural phenomenon that is experienced every day, in every moment, by every one always. That easily said, without having redacted with much scholarship on the matter, I can humbly reflect on the notion that a Tulku is simply the ancient wisdom of indiscriminate practice, which resides in all social and personal forms, within all sentient beings. 
_______
We met in bars, malls, cafes, and sidewalk parks. The entire time, it was as though we met in the privacy of his home, even more, in the secrecy of his mind. He had let me into his imagination of himself. The way he was so sweet, surreal. Figments of smiles and laughter lit up our shared space as from a shared brain. He spoke with a borrowed voice.

The duplex works well for me, a single man on one side, my best friend and his family on the other. One day, they show me their leaking roof, a madhouse of water and anxiety. Unable to help, we attend a nearby gathering, an awe-inspiring array of human diversity, as an earmarked page in an unassuming book. A busker presents his CD release. On a new accordion, he plays the delight of all, while my best friend retreats back into our house, ready to subsume the difficulties of an entrenched domestic struggle. I continue on through the peopled havoc, stirring blindly with blissful listening and warm-hearted aspirations, to embrace the heart of our local culture and be drawn into its imperfect cultivation.

This is the last day, he said. No visitation, no indrawn temptation, not a flicker of need. What happened? I decided to see for myself, the state of this new loving presence, his shape-shifting personality beckoned me, although I had not seen another side, I knew his face does change.

Entering his house, no one welcomes me. Walking up the austere mahogany stairway, the banister is buffed and shining with inestimable taste. The doorway to a study is slightly open. A deep, unwavering silence overtakes my curiosity, I am driven through with the pain of loss, a reality I had known all along, though served so politely, mind-to-mind by the loving acquaintance. He sits at a high leather chair, bearded as not before with elder white beard, square-faced and unmoving. His countenance, exposed in the antiquated sepia light, is only recognizable as an acrid tinge of sentiment and memory, subtly issuing as from within, between our speechless minds. The instant is nigh, as he looks at me, stone-faced, an unseen floodgate opens from his untamed eyes. Then it fades and I leave, pained with eternal mystery of who.
_______
Age
"To dream of age, portends failures in any kind of undertaking." (iDream)

When I read the dream above, I immediately think of McKenna's statement, "you become unrecognizable to yourself
_______
donating beautiful soundless hearts
through world music motion

our one universal language emotion
& the commonly evolved ground broken through violent social awareness

meant to survive generations
with the traumatic blessing of the great earthly groan

from
MA, virgin, temptress,

my Kuan Yin

- excerpt from "I drank in the stupor"

On another poetic note: check out my latest publication, a very buddhistic haiku posted today on Marco Polo Arts Mag


Sunday, 4 March 2012

Tara Sadhana for the Anthropomorphic Newborn


Three Bodhisattvas Witness World Compassion Harmonizing by Vi An Diep

Praising Tara by her divine actions of dispelling conflicts and bad dreams

Homage to you who are honoured by the kings of the hosts of gods,
And the gods and the kinnaras.
Through all your joyful and shining pervasive armour
All conflicts and bad dreams are dispelled.

Last stanza from “Offering the Mandala” 

Thus, O Sublime object of refuge,
Please quickly protect all living beings
From fears such as sickness, spirits, obstacles,
Untimely death, bad dreams, and ill omens.


Colophon: This sadhana has been compiled from traditional sources by Venerable Geshe Kelsang Gyatso Rinpoche in response to requests made by students of Tara Centre, and translated under his compassionate guidance. September 1989.

Excerpts from Great Compassionate Mother. Geshe Kelsang Gyatso Rinpoche. Tharpa Publications. 1990, 1993. 
______

It's a very ordinary day. It feels like afternoon to early evening. I feel the constant presence of an animal. My albino rabbit, named Salt in life, visited me. His head is in my hands. I pet him. I let him out in the yard. It was snowing heavily, and he, white as the snow, only appears through his beady, red eyes. Then, I notice a child running through the snow. The child came into the house and laid its head next to my lap, and proceeded to nudge into my hand to pet him. It's a boy, a mute boy. He looks at me with colorless eyes. I figured, how wonderful Salt shape-shifted into a young boy. Salt, now a boy, would hop out into the snow around the trees just like a rabbit. Immediately, he shifts back to a rabbit who hops out of my vision. 

A very silvery, glowing white cat with stripes. Upon recognizing the face of this cat, it was evident that it was my deceased cat. All the features of my cat were displayed. His charm and energy radiates. My hands are warm as I pet him. Suddenly, I cradle him in my arms, looking behind my shoulder, I see my husband smiling and laughing. I am speaking to Max, now as a child. He is an infant with the same eyes as a cat, but with the face of a child, staring back at me with such love and affirmation. I speak in English and say, "I want you to learn Chinese because I am your mother. I would like you to preserve my lineage through learning Chinese." My husband, the love of my life, is laughing in the background. In synchronicity my husband and young son speak in English. My husband says laughingly, "he already knows how to speak Chinese." The child says, "Mother, I already know how to speak Chinese." In my surprise I notice my cat turned child changed to four to six months old. Beyond a brick stone ledge, dawn approaches as a beautiful golden sunrise. His dirty blonde hair glistens. His eyes, expressing inquisitive curiosity and a loving recognition, are deep emerald green and brown. Sitting on that ledge, I taught him to say, "eyes (gnan)" in Cantonese. He stuttered, but was able to repeat, the word for eyes in Cantonese. "Gnan" he says. My husband smiles as if to say, why are you trying to teach him what he already intrinsically knows from you, his mother. The child chuckles and says, "eyes, ears, mouth and nose (gnan, yee, hoaw, bae)" I was shocked with such gladness and immense pure unconditional love for this being before me. "Ma" he would exclaim. I already know. He became a toddler and hopped off the sandstone ledge. His head rested next to my thigh as I stroked his beautiful dirty blonde hair, glistening in such glorious light. 

He, in another dream, the third of the sequence, shifts back to a silvery glowing, white, very happy cat. 

________

as her son climbs the dismembered mountain,
trembling with rocks of tragic failure
rolling down to kill my boulder of trash
damming the flood of human night

- excerpt from "My New Bride"