Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label Sikh. Show all posts
Showing posts with label Sikh. Show all posts

Thursday, 18 October 2012

Succubus, Temptress of Mystic Remembrance

Lilith by John Collier
"In folklore...a succubus (plural succubi) is a female demon or supernatural being appearing in dreams, who takes the form of a human woman in order to seduce men, usually through sexual intercourse. The male counterpart is the incubus. Religious traditions hold that repeated intercourse with a succubus may result in the deterioration of health or even death." Wikipedia

In Hebrew and Arabic mysticism, the figure exhibited above, of Lilith, is the central character for mythic remembrance of the succubus folklore, where she is a source of domestic superstition and the root of cosmic evil. Read more from the Jewish Women's Archive.
________

Low-lying jungles emerge only steps from the sea wall. As I enter through the darkening canopy my footprints sink deeper into the unsure ground of dying vegetation. I see a man and woman walk assuredly in Muslim dress. 

Muslim shawl-makers, Kashmir 1867 by William Simpson
This is Mother India, though I feel I am trespassing, at the dangerous edge, where two worlds have collapsed side by side. At seeing their weary countenances, their grimacing jaunts, I recoil nearer to the seaside, where the forest is less thick and try a new entry point. Again, wandering through the sweep of jungle, my mind presses onward with increasingly bleary sight as the landscape closes in and my sight nears my eyes, confronting the formidability of a climaxed rainforest. 

Lovers shoot at a tiger in the jungle.
 Illustration to the mystical Sufi text Madhumalati by Meister des Madhu-Malati-Manuskripts
As I enter through a clearing, I see a young woman, a Punjabi Sikh. She welcomes kindly, and warns me of the dangers ahead, though she reminds me that as long as I travel through the lands of her people, the Sikhs, I will be safe. 

Portrait of Rani Jind Kaur aka Jindan by George Richmond
I wander on, enlightened by the meeting with such a kind and endearing sprite. Increasingly entangled in the impenetrable bush, I come to a massive tree. Immediately, I begin climbing to gain a vantage point. The limbs are smooth and strong, a true jungle arbor. As I feel for a lookout, the branches stretch me inwards, and I rest on a limb as thick as my body, crawling toward a knot of branches creating a homely stand, a shaded hollow within the body of the tree. As I press on amid the enwrapping arms of the humungous tree, a woody formation beckons with the same quality as my bedroom. 

Abu'l Hasan and Mansur Squirrels in a Plane Tree by Abu'l Hasan and Mansur
Again, I wake, remembering the seaside cliffs beyond the jungle’s edge, the grandiose rocks, welcoming my step, as I notice two women of different religious custom playing, bounding from rock to rock with amiable laughter and sisterly freedom, I begin sketching in primary colors and rough lines, with an innocent beauty, and gravity enough to keep my word.   
_________
Where does the apple fall?
From a rootless tree?
A groundless source?

- excerpt from "My Name"

Saturday, 3 March 2012

Arts Mediocrity in a World of Change


Muse on Pegasus by Odilon Redon
"Rejoice in this: Seeds of futurity require the darkness within soil to dream."

Source: Nation of Change
_______

She attends a Sikh dance ceremony. Ladies in elaborate jewelry and glorious headdresses dance to an electro-pop Banghra. Three ladies stick out, as they wear differentiating clothing. One is fully covered, from head to toe in black, another appears only through the eyes, and yet another wears a colorful headscarf. This is unusual, as the Sikh women would not be known to wear Islamic hijab or burka coverings. To her, they seem as transformer figures.  

I am in a field that at once changes into a warehouse meant for music rehearsals. Standing across from a legendary local musician, a classical percussionist and kit drummer, he asks me to play drums. “Every American kid must have banged on a drumset, eh?” he asks. To which I respond, “Actually, my brother used to play all day long, I’d only listen. Now he’s graduated from Berklee!” “How do you think he did there” again, he interrogates softly. My mother appears as from nowhere, “He was kind of depressed, so he didn’t do as well as he wished.” My shape-shifting surroundings turn from warehouse to field, as I sit to a small drumset of snare, high-hat and ride, only when I sit down, the snare inches away, and the two cymbals spread far apart. I look down, and all I have for sticks are pieces of asparagus and cilantro, and thin pieces of balsa wood. I try to use this delicate craft wood and these flimsy vegetables, and the musician and teacher begins walking away. He looks at me, trying to navigate this moving drumset in an open field and simply tells me a story of decadence in New York, about a lesbian soiree that he once hosted at his house after a celebrity gig of some kind. 
________
with a most subtle whisper
behind a fantastic passion
eager to express unity
with perfect awe in a world that dreams

Up, a new way to be
for the moment
and its own living mystery,
questioning

“what is before?”

- excerpt from "all rivers have one source"