Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label James Joyce. Show all posts
Showing posts with label James Joyce. Show all posts

Sunday, 9 December 2012

Sleep-Talk of the Modern Writer: A Joycean Saga, Part II

James Joyce, textorized with an excerpt from Ulysses by Maxf 
“Oliver St. John Gogarty noted that the typical modern writer was doomed to go on talking to himself but that it was left for James Joyce to go one step further and to talk to himself in his sleep in Finnegans Wake.”
From Charles Reznikoff Bio on Poetry Foundation 
Internet, technology, modernity, and history, the Joycean nightmare, the daily dream of the silenced voice, speaking in thought, imagining a placeless space of mind, the code of subjective emergency. I lay half-awake, surfing the viral webs of unreason in my sunless haunt, of trivial whereabouts and soundless frequency. An internal vibration wakes me into another dream of subconscious sleep, the inactive pause of breath. In the information age, for the modern writer, free speech is a painless bubble of thirst. My words are a mere spidery sleep-talk, spinning the collective web on and on, to perchance catch the insect eyes of innumerable minds, insights unseen, and only felt, as the nerve of a quiver.

_________
Before I went to prison I sat around a family circle. My grandfather was in his prime and all of his siblings were alive. That was the last time he put on his sailor cap. 

Portrait of a Sailor by Lawrence Alma-Tadema
A new fish stinks straight out of water. These metal bars are hot with memory. I clean past my fresh environment. There is a consensus of suicide and the death of life. I steal a look through my most haunted imagination, and it’s real. A shark-toothed man with pomade-drip hair and an orange shirt draws his own jaw. A thin, black-haired youth pierces his erect member into a cellmate. Even if I were passing straight through this corridor, it would be hell, and this is my new home. 

Prisoners Exercising by Vincent Van Gogh
I’ve returned to my grandparent’s abode. He’s dead. I wake in the middle of the night. The house is empty. I have never seen it empty in my whole life, ever. What am I doing here? The only presence is the lightless noise of my empty past.  
__________
"A secret curing,
Brewing twilight

In the motionless loss of our human presence
From the awaited future, yet eternal sound

In patient happiness breeds the contented need to produce
Chirps

To entice the sickness of pride to leave with day and unite mind
With a grateful stare into the mind’s ending"

excerpt from "City Birds"

Thursday, 29 November 2012

A Joycean Saga of Psyche, Muse of Endless Night

Mary Ellen Bute's only feature, "Passages from James Joyce's 'Finnegan's Wake'" begins:

One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wide-awake language, cut-and-dry grammar and go-ahead plot. (James Joyce)


“History...is a nightmare from which I am trying to awake” James Joyce, from Ulysses

As my sleep cycle changes, I wake later in the day. It is winter. I rise at sundown, fall at sunrise. The sun and I keep a syncopated rhythm of broken and drunken days. My consciousness rains down on my dreams with the lucid bearing of a child at home in the nonsense play of indecision and fear. I listen only to night. I am not a human. I am not adapted to earth. I am not a person. I am not adapted to houses. I am not. I am adapted to mind. I think, therefore I am not. 
_________
a blonde, a young woman, of especial high class, buries herself in the busy sheets of a paid for hotel room as she awaits her dowry, and her parents exit, content with the happening, for she is to be their high dollar ticket, and they are proud 

Blonde Nymph by Paul Emile Chabas
and in the fading night, she switches rooms to bed in a flophouse, the creaking wooden floors spell prostitution and drug rings, alcohol seethes from speakeasy days, and she cowers belligerently in her room, a knock at the door bleeds into her chest with suicidal unction 

Metropolitan angle (angle whore) by Hans Baluschek
as she opens candidly, two brothers of separate age walk in gently, greeting her with an offering of simple company, yet as the night creaks on with their failed step over the late seeds of a youthful calling, their clothes are shed 

Youth in a Blue Coat by Sasha Schneider
and then she is open arms as they both slide neatly under the covers of anonymous life, and as hours pass, they become good friends, while the older brother hangs his head by the window, all are naked and congenial, the two younger playfully brush paint over a great canvas blocking the doorway and most of the wall

Beatrice Addressing Dante by William Blake
she says, “you’re a fucking brilliant painter!” the Blakean shapes form over the imagistic head of the younger brother at play with the feminine creation as he eyes his brother to gain inspiration into the form and build that supports the color and stroke of their altered midnight state of sudden friendship 

Psyche Opening the Door into Cupid's Garden by John William Waterhouse
a hollowing filled with laughter and unending play, and in other rooms, an inkling leaks through the creaking floorboards and drip-coffee ceiling, filters of sound are pierced through with eager ears, willing to join, and finding true human pleasure of heart in the abuses of Psyche’s night 
_________
An irony to amuse
This, my, and our patchwork of brains,
To walk, or march,
Perfectly balanced in dress
With the polluted eye of an urban observer
Taking in the sidewalk trash as the stuff of inspiration
...

In one outlandish, unruly day,
Simultaneously, all vibrations still,
To skeletal ghosts, ravaging the blank canvas of history
With painted cries

In the evil fornication on a wine-lush express
Down each and every late Saturday street
Dead with incestuous chores

In popularized & Westernized dreaming
Gone, gently in the summer prairie heat,
Dealing prostitution’s cape
...

Breeding a kindred sisterhood
In the tall, and greatly embodied community of passionate grace
In today’s great human victory against the undead tyranny
...

Cyclical pain follows in succession
To unchain confederates, bothered,
From American poverty
Filling the sobbing eyes of migrants, sacrificed
To a brutalized ending, motherless & lost

excerpts from "1st Independence"