Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label Al-Jazeera. Show all posts
Showing posts with label Al-Jazeera. Show all posts

Sunday, 15 April 2012

To All The Freedom Poets Shouting In The Dark



“HAMAD DREAM OF 2030 IS NOT APPEARED YET IN BAHRAIN!...HAMAD YOU ARE A DICTATOR”  - from a protest sign at beginning of film

“I feel really alone. Whether it was a democratic country or an authoritarian country. All of them acted the same when it came to us. I discovered that my humanity is a subject of discussion. Should I be killed in the street or not be killed? Based on the interests of the United States or Saudi Arabia or other countries. It’s the killing of a dream.”

“When I’m sleeping, a lot of times I dream we are returning to the roundabout. To this day I dream it is there. I don’t feel it is broken.”

"This [facebook] page was a virtual lynch mob, focused on a 20 year old girl, named Ayat al Qurmezi. She had read a poem criticizing Khalifa and the King at Pearl Roundabout. The page asked thousands to participate in defaming her honor, and demanded her arrest and torture in prison. It wasn't long before they got their wish. Masked commandos broke down the door of her family home and took her to prison...After three months in prison, Ayat surfaced for this apology on state TV, which the family says was obtained by electric shock torture and forcing her to open her mouth while army and police officers spat in it." 

- from "Bahrain: Shouting in the Dark" by May Ying Welsh of Al-Jazeera, the only journalists who stayed

Ayat al Qurmezi (read her BLOG)
"I have not yet finished forcing every candle of dreams (youth) on this motherland..." 

- line from the poem by Ayat al Qurmezi which led to her imprisonment, translated by Mohamed Al-mahroos
_________
I had come out of a bedroom, pajamas and all, to greet a few friends. Sitting patiently and in reserved calm is my wife and a local actor in town, sitting outside in the main room of my abode. I begin talking about recent books I’ve read. I start talking about a book on the subject of black history in the American South pointed at the presence of the actor, who I only recently became acquainted with. I continue to divulge in The Inconvenient History of Brazil, which I learned received the greatest influx of African slaves than anywhere else. She is sweet and doesn’t mind me carrying on. In another room, my brother and a friend are worriedly arguing about how to get to Los Angeles, specifically to have more drinks. Ignoring them, I saunter out of the house and find my way to a nearby bus stop. 

Small trickles of rain bear down on the fogged windows of the bus as we cross through a muddy swamp area. The bus driver is exceptionally personable and a great comfort, in total control. In mid-conversation, I ask to be dropped off at a local convenience store. The cold, wet ground feels like a vent of sticky moisture from the saturated soil. Immediately outside the door, three homeless Aboriginal people kneel prostrating outside the store entrance, while one of them, a middle aged lady takes to a free gift of exceedingly processed fast food. I enter, greeting the store owners. As I look out the window, I see a group of girls in beachwear catapulting themselves off a nearby roof for the humorous purposes of landing on a trampoline. I walk out to get a closer look. The first lands extremely short, the second a bit further and right on her spine. She gets up aching, only to watch a third catapult far beyond the trampoline’s distance. Her impact is felt with crushing intensity as she writhes in a split-second. Witnessing, one can immediately tell her thigh must be broken. I then enter the store again, and with uncontrollable laughter, we are outraged by the stark contrast between the different kinds of help needed around the store. 
_________
History
"To dream that you are reading history, indicates a long and pleasant recreation."  
Rain
"A powerful symbol of renewal and spiritual cleansing...Interpretation is contingent on your current circumstances as well as the kind of rain that is falling...Depending on the dreamer it could suggest a period of renewal and fertility (reproduction or creativity)." 
Help
"If you dream that you help someone, or someone asked you for help, it means that you will succeed without needing help from anyone."

(iDream)
_________
can you tell me why you want to lose your minds?

“is the mind not a functional device?
a stronghold of impurity, though weak as a right?
a vile desire entrenched in the quickening of race and drabness? 
or old as a tire-stretched din?"

shrieking at dawn with favored kids,
roped to the sound in time 
only for a moment

“to flesh out the wicked rot 
a spawn of loss and un-coped wires
fuming ghastly as the corpse 
that smoked wild smoke
and leapt to a magic unseen and disbelieved
except by the weeded out freak-smiling lawmakers at dawn”

the hopeless mold sweetens through an unearthly jail
round toxic commotion encircles in ash and loneliness
wakefulness opens to the sole breath of god
and waiting awhile for the noose tightened,
alas around the saviors brightened tooth shown under a restful laugh...

Sunday, 18 March 2012

Dreams from an Iran Brutalized until Unconscious…Still Speaking



Narrator

“For more than two years now, the Iranian state has tried to crush the dreams of freedom which arose in June in 2009. Dreams, such as those which others in the Middle East have seen come true this year.”

Pahvan Fahimi – spokeswoman for grieving mothers

“He was a child of 19, preparing to go to university. He hadn’t fulfilled any of his dreams. Who killed him? On whose orders? Why? I ask all of you. What was he asking of this country? Only peace and freedom of thought.”

Narrator

“Bahar is a student and a rapper. Like most young people, in 2009, she dreams of a different Iran.”

Bahar – student and rapper

“Like an enchanted castle crumbling it took just 6 or 7 hours to erase hope. And all those who voted for Moussavi realized it was just a dream.

The Islamic Republic has always been a nightmare for me.

…they’ve done all they can to try to take that hope from us... It will go on and on, until you scream your deepest feelings, you see freedom, and you’re no longer afraid to speak your mind. And that’s the day your hope will become reality.”

From “Letters from Iran” an Al-Jazeera Documentary
___________

This week, from March 20-23, it is Persian New Year, or Nowruz.

New Years

Happy New Years!
Persian, Hebrew, Roman, Chinese
Many in One.

May the New Year live up to its Name.
_________

I am outside of the concrete square homes that the Maya people of Xmaben, Campeche in Mexico construct as a symbol of prestige beside their grass huts, however they don’t live in them. They used to hang my hammock from wall to wall, but before sleep each night, I was visited by a local girl. A small, petite young lady with unmistakably Maya features, she used to send me sweet smiles and laughter from outside, beckoning me to join her in the night. I wanted to marry her. I gave her a jade ring and consummated our innocent feelings. In my dream, I feel as if we are married. After I leave the village, I find myself in a furnished bedroom in a Mexican city. In it, I await my other love, a Spanish woman, a few years older than I, with a gorgeous wit. It seems we have married as well. Our life, however, becomes overly domestic and soon I wait for her, to find only our empty abode. 

As the dream cycle continues, I attend a high school reunion. I am excited and confident to see my old friends from the days of superficial cliques and institutionalized learning. I tell people I married twice in Mexico. They don’t find this surprising from me, and go on to talk in their circles of indiscernible chatter. I later return home to my mother’s house in this same town. My stepfather and her watch television as usual. The television portrays ghastly scenes of war. Children, it seems of Southeast Asia, are being run over mercilessly by tanks, their bodies scarred with burn marks and ash. I react, abhorred and deeply offended by the mindless atrocities that we are witnessing via television, and my mother cries, but my stepfather watches without emotion. I leave. 
_________

Dreaming, Composing Poetry, Meditating

I pass my days
Contemplating the dead students of Tiananmen
And the Green Wave
Childless mothers silenced
Full of blood

A body
Language of resistance
Firm as the vicious fluid of life
Soft as the flesh
Emaciated with the steel of tank tracks
Or torn open in a single kill shot

Or E. Mehtari
Whose stern face became lip-bitingly serious
Upon mentioning the “trouza”
In English, rape

How he holds back tears
A fight against self-pity
The death of the ego
Asking, “where is God if not in you”
Yet, when asking you fall headlong
Into your deathless presence
Where you cease to be this body of crime

Ponder yourself
As the total equation of here
In the moment
At one
With the ground of all being

We humans
Why do some attain self-realization?
Only upon being split in half?
Sundered in shreds by our fellow man?

When did this arcane spiritual responsibility bestow devils of such wonderful emergence?
The Ahriman is certainly turning in its cemetery
Sheathed in female coverings and riot police uniforms

In these pain-ridden lands
Whose story immediately translates into our one story?

Throughout human history
In reclaiming that story
Allowing the truth to resurface naturally
As a feather, thrown with a handful of stones
Over an open lake
Thick with the opacity of crude oil

Hardening urges of those who sleep,
Still, sitting
Upright I petition the burning skin of my Love
To recede into her inmost self-forgiving

Be healed
With the same immediacy that one may feel oncoming death
Approaching with futile procession
Toward the white of their eyes

With equal subtlety
Plunging their ethereal hand
In the porous open of their now entered body

A mere passage
For the voice of all truths

For the Peaceful Youth Protestors Around the World