Tower of Silence (Dakhma), Mumbai by Cornelius Brown |
Yasht 19.2.11. James Darmesteter, The Zend-Avesta, Part II, The Sirozahs,Yashts and Nyayis; Sacred Books of the East, Vol. XXIII (Oxford, 1883), p.290
Over the infinite sands of civilization,
breathed and created out of time
In the sun’s ravishing corner of a universe,
un-tempted and forever at a loss
Between the child’s two eyes
closing
On death and the holocaust of our forsaken government
Laughing at the trees’ roots
When stretched to the bottom of India’s or Africa’s wells
Ousting up the belief in life as a drunken tragedy
Yet, be not humourless
nor without comic sophistry
In the dance and song
Come alive by the sexual majesty
In theatre’s delicate ways,
To present the creative being
as one with truth’s bold and upheld music
Reflecting back in the caged mirror
A creator anew
- excerpt from "From Behaved Freedom to Absolute Nonsense"
__________
It is 12th century Persia, the
continental-temporal mirror image of 21st century Canada. After a
lesson on the estate, I a youth of educable age, begin to row across a placid
lake with my father. The day is warm, with cool breezes flushing our skin in a
mixed haze of natural praise and remorse for the end days of summering. My
father, a muscular, bearded intimidation of manhood, speaks with the grazing
lurch of intense commanding. As we row, in separate crafts, the waters turn
rapid. In that moment, he begins testing me on my learned material.
The oral
literature of the day is mind-bending and terse in its memorable strings of
morality, geography and spirituality. I’m able to recall various characters and
events, and as I extrapolate, the waters toss and turn unexpectedly. At my
wavering voice, my father’s eyes brim with the frosted fire of dark Persian mirth. Yet, as soon as I veer into future’s allusions, spouting the literary
names and waves of later centuries unheard, a fire burns in his eyes of serious
intent to quiet my youth’s wandering. As he reaches out to grab me into his
craft and row back ashore to the consistent presence of historic symmetry, we
are both swallowed by the apparition of a waterfall along the other shore,
pouring us downward with the turbulent waters in a vein of undone chronology
and placeless imagination.
World According to Avesta by Orijentolog |
I call out the names of literary history upwards
along the upended future. Until the 21st century’s own dawning, my mind,
feckless among the archaic forms of Iranianization, is unceasing in its
deliberations on the foreshadowed youth of humanity. I turn and writhe with
ancestral might into the sheer unknowable mists. My father has since
disappeared, and in that silence I begin to know my name.
_________
Driving out demons with Masonic symbologyOver the infinite sands of civilization,
breathed and created out of time
In the sun’s ravishing corner of a universe,
un-tempted and forever at a loss
Between the child’s two eyes
closing
On death and the holocaust of our forsaken government
Laughing at the trees’ roots
When stretched to the bottom of India’s or Africa’s wells
Ousting up the belief in life as a drunken tragedy
Yet, be not humourless
nor without comic sophistry
In the dance and song
Come alive by the sexual majesty
In theatre’s delicate ways,
To present the creative being
as one with truth’s bold and upheld music
Reflecting back in the caged mirror
A creator anew
- excerpt from "From Behaved Freedom to Absolute Nonsense"
A petit mind-blowing excursion into esoterica. That chart is pretty compelling.
ReplyDeleteYour dream calls to mind my song I recently posted to my site as a video.