Contrasting Sounds by Wassily Kandinsky |
A doumbek drum hangs from a thin pine twig, and as I notice, it falls crashing to a strange forest pit beside a pond directly beneath a scraggly ancient tree, an immense figure, an arboreal delight yet demanding a kind of fear in its profound attention of the earth through its girth of roots, and beside the water’s edge, I pick up my drum from the ground, and yet a piece has been cracked off, a square piece, perfectly removed, and yet I still put it to my hip, and suddenly it feels as if a skin has replaced its plastic head and my hands find a delicate touch with rapid rhythmic technique in producing vibration’s adamant trill, a complete sound wave in the full emptiness of a masterful humbling against the unbroken skin of human touch met with the cover of Earth’s delicate heartbeat bringing that fullness to yet another creation of space in the continuous sound, ever unbroken by finger’s brush as a purr unites breath with rest
September 3, 2011
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