Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label animals. Show all posts
Showing posts with label animals. Show all posts

Monday, 7 May 2012

Experiments With Conventional Dream Definition


"We believe warmth and brightness will return and renew all of the hopes of men. NO!!!"

"Let me put it this way, I don't think there's a deep concern about anything. I think there's a lot of, you know, there's sort of passing interest in things, but there's no real concern. It's doesn't mean it's a matter of conviction, again. People seem unwilling to become involved in anything. I mean, really."

Also by Arthur Lipsett, "[Free Fall] evokes a surrealist dream of our fall from grace into banality." (NFB)
___________
It’s the Floridian humidity. The silent pavement provides a buffer zone between the sweating plants and the lowering sky. Small mammals scurry mindfully in the thick brush beside these manicured pathways. A massive dome appears on our way. The recently past dusk threw a scintillating crepuscular finitude over the incredible structure. White-mounded, of chalky substance, the mound invited us with an easily accessible entranceway. An aqueous blue light hovers in a pallid mist throughout the sporadic lighting of a tunnel system. Globular shadows bloom over the fear-cast hideaway. “The deeper we press on, the more sheltered are the animals who dwell inside,” I peer into a subterranean passage, meant for a nocturnal fox. I turn back.

The next day, in the sweltering heat, I sit languorous with café atop a balconied precipice in an inner city restaurant. The muddied roads spell social friction as two heated rough bands of youth face off. The attitude about is apathetic, as resting feet mosey in careless to the disaffected gorge of violence in our immediate vicinity. I watch restlessly, bitter with remorse as the puffed chests of the youths splinter with strangled breath under their pitiful guise of torn flesh and mangled bones.

In the café, my wayward attention darts in the direction of a radiant presence. A world-class musician empties bellies of laughter and rays of his smiling countenance in all directions, especially meeting my eyes with his. We become acquainted. Over tea, he invites me to a concert of his in the evening. The concert hall is bedecked with the stylish wonders of the epoch. The bountiful core of human opulence shines in its full magnificence as the musician, a percussionist, gently plays a twin-headed gourd with a masterful split-finger technique, similar to the way one would play a hadgini. Bursts of mountainous excitement turn the crowd inside their beatific lives to a place more common to all. 
_________
Fox
"To dream of chasing a fox, denotes that you are engaging in doubtful speculations and risky love affairs." (iDream)
_________


The snowball effect and the end of humanity…

Pacification.
Air dead.
Noxious and looming.
Distracted meds fielding stringent commentary.

Of wrong.

Misinformed delusion.
Gray-haired wisdom.
Bold boom music.
Drunk on sleep.
Feeding extreme weak binge.

Insane night.

Wheeling through migrations
Globalizing responsibility.

For no one.

Healing engrossed savages
Inviolate demise.
Undone law.

Ruin.

Demeaned personality
Locked unmovable
Warm concrete.

Derailed western dream.

920pm. Feb 18. 10’
L.A., caged windowed building, pesto pasta and one cigarette

Sunday, 12 February 2012

Skeletal Percussion under an Insurmountable Cliff in a Cairo-Western

Moses Striking Water from the Rock by Francesco Bacchiacca


I fail in my attempts to scale a sheer cliff face. The convex shaft of rock rises with crumbling shale and patches of vegetation. About 12 stories high, there a small plateau can be seen, whereupon a sparse array of pines and a wild horse appear at the glinting corner of my eye against the vertical immensity.

With extreme patience, I wait so long at the bottom, contemplating my journey up to the top of this rocky upshot plateau that my surroundings turn to nightfall. I am somewhere, it seems on a street corner of an old Western town mixed with a particular street corner in Zamalek, Cairo, Egypt where an old-fashioned, abandoned colonial bar still exists as the sole edifice of its kind across from the Iraqi embassy. It is nightfall and the dirt road is damp. Eyeing a nearby cat atop small, ramshackle homes and halfheartedly constructed projects, I shoe away stray dogs. I am playing an odd percussion instrument. With vertebrae, it seems of dog, horse and cat, in different sizes strung up, and hanging down off a piece of wood, I knock against them with the skull of a dog. The bone-knocking sound is then accompanied with a metallic cymbal-like object that I also strike against the differently-sized vertebrae hanging down in various lengths, to produce specific tones upon striking them. The sounds are enlightening, yet as the dog nearly kills a cat, attempting to chase it into certain death around my roofless quarters, I still yearn to rise with break of day and scale the rocky outcrop. 

Thursday, 2 February 2012

Dreams from the Arab World: Deadly Play and the Chaos of Freedom

Kalila and Dimna, jackal tale scene: the crow king and his counselors by Arab painters around 1210




for those who lost their lives...

Dream of Youngest Female Nobel Prize Winner Tawakkul Abdel-Salam Karman

From her acceptance speech:

"We were able to efficiently and effectively maintain a peaceful revolution in spite of the fact that this great nation has more than 70 million firearms of various types. Here lies the philosophy of the revolution, which persuaded millions of people to leave their weapons at home and join the peaceful march against the state’s machine of murder and violence just with flowers and bare breasts, and filled with dreams, love and peace."

____________

Semi-circle monkey bars, rusty, old, they rise to a very high altitude at center.

I’m videotaping an expert at crossing the most dangerous part of this abandoned playground. I cross multiple times, as I go on and on, it becomes foggy and humid. At the center, there is an opening, where my mind goes blank because I feel it’s impossible to cross, but I cross

At the last crossing, when I reach the bottom, it feels as if I am in an abandoned, mechanical children’s playground in Egypt, and I remember an Egyptian girl who seems like my girlfriend…yet she is missing. I flash to a scene that looks like her parents, and local police. They are speaking in Arabic, searching for her. I flashback to being directly on top of the semi-circle monkey bars, my friend who I am videotaping reminds me that he’s gotten rid of my poetry books because they give evidence of the missing girl…I flash in my mind these poetry books, immaculately printed with full color photos of the girl and professionally written poetry…I go to a field, and a mass of people are reciting this poetry, it seems I am at a funeral.

Sunday, January 29

Saturday, 24 December 2011

Dream of Foresight for the Environment and Our Survival

Detail from Plate 76 of John James Audubon's Birds of America


"In order to see the way forward, we have to understand how we got to this turbulent moment.

We appeared on Earth about a 150,000 years ago in Africa, when there were still Wooly Mammoths in the world, Saber-Tooth Tigers, Giant Sloths. We arose at a time when the savannahs of Africa were filled with animals in numbers and variety beyond anything we know today.

There was little in the early appearance of those humans to suggest the explosive change we would undergo as we left our African birthplace to populate every part of the planet in only a hundred and fifty millenia.

Of course, the secret of our success was that 2 kilogram organ buried deep in our skulls. It was the human brain. It conferred a massive memory. No other animal has the memory capacity of the human brain. It conferred insatiable curiosity and very impressive creativity; qualities that more than compensated for our lack of physical and sensory abilities.

And that brain became aware of itself. It was conscious of our presence in space and time. That brain was capable of imagination and dreams. And drawing in our experience and our knowledge, we dreamed of our place in the world and imagined the future into being.

Foresight gave us a leg up, gave us a huge advantage. And foresight, I believe, brought us to this position of dominance today. And now, foresight, that great evolutionary strategy that has been such a critical part of our success as a species, is warning us that we are undermining the very life support systems that have enabled us and the rest of life to flourish and survive."

"...Now I am uplifted by the amazing story that is emerging from modern science. It tells us from the moment after the Big Bang, as matter spewed forth in an expanding universe, every particle exerted a tiny pull on every other particle.

The universe is not mostly empty space. It is filled with evanescent tendrils of attraction that some people call Love. And that attraction is built into the very fabric of the cosmos. Science informs us that far, far away, way out in the boondocks, is a very undistinguished galaxy: The Milky Way. And among the billions of stars in that galaxy, our sun is a very ordinary one. And on its third planet, Earth, a mere speck in the heavens, life arose in the last quarter of the cosmos' existence. And in the very last moment, something astonishing happened. A creature emerged from nature endowed with self-awareness, dazzling creativity and a capacity for love and wonder, gazing out at a chaotic world, that animal imposed order and meaning in myriad forms and brought humanity to prominence in a cosmic instant.

We are the planet's most recent iteration of life's forms. An infant species, but with a precocity to see our place in the cosmos and dream of worlds yet to come. I believe we are capable of even greater things: to rediscover our home, to find ways to live in balance with the sacred elements, and to create a future rich in joy, happiness and meaning that are our real wealth. I will die before my grandchildren become mature adults and have their own children, but I am filled with hope and I imagine their future rich in opportunity, beauty and companionship with the rest of creation.

All it takes is the imagination to dream it, and the will to make the dream reality. So let's get on with making it happen and show what our species is really capable of."

- David Suzuki
from "Force of Nature: The David Suzuki Movie"