 |
| Dream Vision by Albrecht Durer (Click for TRANSLATION of Text) |
As with all of my short fiction thus far, my source of inspiration is from the rough sketches of dreams which I interweave with creative interpretation from cultural references and my own repertoire of creative literature on my weblog "SoJournal: Private Dreams to Public Art"
My theorem for this prose fiction writing practice consists in self-psycho-analysis through lifting the burden of creative psychological confrontation with mental productivity. Such weightlessness is experienced in the imaginative, unconscious narratives found in the space of dreaming.
My writing practice overall runs along similar lines. I see the practice of writing to encompass a non-interventionist exploration into the raw activity of mind, or the nature of mind. Editing is merely another term for the extended reflection on the initial source of inspiration. Ultimately, this reaches towards a quickened perception and re-conception of the epigenetic functioning of the human being and thus an essential facet of the conscious universe.
Spontaneous writing complements my improvisational approach to world fusion music. Improvisation provides a way to emphasize ecological context through unconscious aspects of our surroundings, thereby hinting at an insight of awareness through sound.
With regard to the post re-titled, "The Lake between Egypt and Iran" this dream vision chronicles subconscious metaphors which I create both unconsciously and consciously through lived experience and mythical-emotional projections which breathe with visceral life in the realm of dream.
Based on Wikipedia, a theorem is "...a statement that has been proven on the basis of previously established statements..." Although, I must add, that the wellspring of individual creativity, as unbridled by the throes of formality, may indeed take place in all form, and more accurately from the seeds of emptiness from which form issues. Whether in number or letter, the truth is undefined and the spontaneous instant is where the magic of all life mysteriously prevails and finds its equilibrium of continuity. While this may read as contradictory to the definition of a theorem, indeed it supports the notion of a theorem by positing the basis of proof as the ground of being or the present moment, and previously established statements, as the substance which lies before us, bound by the interwoven presence of time, memory, dream, imagination, or succinctly, fiction.
My theorem for this prose fiction writing practice consists in self-psycho-analysis through lifting the burden of creative psychological confrontation with mental productivity. Such weightlessness is experienced in the imaginative, unconscious narratives found in the space of dreaming.
My writing practice overall runs along similar lines. I see the practice of writing to encompass a non-interventionist exploration into the raw activity of mind, or the nature of mind. Editing is merely another term for the extended reflection on the initial source of inspiration. Ultimately, this reaches towards a quickened perception and re-conception of the epigenetic functioning of the human being and thus an essential facet of the conscious universe.
Spontaneous writing complements my improvisational approach to world fusion music. Improvisation provides a way to emphasize ecological context through unconscious aspects of our surroundings, thereby hinting at an insight of awareness through sound.
With regard to the post re-titled, "The Lake between Egypt and Iran" this dream vision chronicles subconscious metaphors which I create both unconsciously and consciously through lived experience and mythical-emotional projections which breathe with visceral life in the realm of dream.
Based on Wikipedia, a theorem is "...a statement that has been proven on the basis of previously established statements..." Although, I must add, that the wellspring of individual creativity, as unbridled by the throes of formality, may indeed take place in all form, and more accurately from the seeds of emptiness from which form issues. Whether in number or letter, the truth is undefined and the spontaneous instant is where the magic of all life mysteriously prevails and finds its equilibrium of continuity. While this may read as contradictory to the definition of a theorem, indeed it supports the notion of a theorem by positing the basis of proof as the ground of being or the present moment, and previously established statements, as the substance which lies before us, bound by the interwoven presence of time, memory, dream, imagination, or succinctly, fiction.
(Read my first publication of Short Fiction inspired by Dream @ Haggard & Halloo)
No comments:
Post a Comment