Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label sharks. Show all posts
Showing posts with label sharks. Show all posts

Friday, 26 October 2012

The Future of Sharks = The Future of Our Oceans = The Future of Us

Watson and the Shark by J.S. Copley 
The stigma of sharks has been with me since I can remember, having my first memories only a driveway away from the Atlantic coast. I lived under the shadow of Martha's Vineyard and Spielberg's Jaws. The above painting shows the old, now antiquated, adage that sharks are killers and need to be killed. As shown in my previous post (Reflection on "Save the Humans" lecture by Rob Stewart), sharks are not killers, and indeed their threatened survival on Earth due to illegal shark fin harvesting is as crucial an issue as climate change in the continued survival of the human species.

Read my story of activism for a shark fin free world on Media Co-op

Also see related groups Shark Fin Free Calgary & WildAid
________

Innumerable anemones, dim at the ocean floor, float and dance in the scintillating deep, a whirlwind of ocean currents spinning tendrils in the wondrous underworld of subconscious, inner space. The beauty of the sea is a palpable silence, a prenatal yearning within the sky’s reflective murder of inanimate light, into the shattered eye of a submerged mountain of a seemingly infinite myriad of species, blooming in the breathable space of instinctual lowering.

Samudramantham (Churning of the Ocean of Milk) by Anonymous 
The eye craves the strength of mammalian fear in the world beyond worlds. Octopi, shark and jellyfish sweep the wobbling invertebrate mind with a bodiless air of unlit terror. A shark darts and flees past in a show of wise defense, and the octopi bleed ink in a haze of warring tests far enough to provoke the mirage-lust end of human sight, and jellyfish, unnervingly absent as the mind’s eye sleeps in a soporific atrophy of inhuman might.

Still Life with Flowers, Shells, a Shark's Head, and Petrifications by Antoine Berjon
Memory entangles my feet with the concrete ingenuity of familial presence. At the opposite stance from my underwater lung, I breathe the damp air of a midsummer day’s stretch aside my grandfather’s elder chair. His sitting comforts me into a warm bottom, a deathless life of generative following, to stare back into the eyes of immortal sight, the human heights of belonging, and I am content, a mind at rest, awake, conscious, and filled with reverberating speech. 
_________
A dripping hunger instills those following to go beyond sleep and be
       In conscious wonderment, in the living dance
Dream today in a new and timeless breath,
       To stave off the mindless, parasitic asp
Climbing inside mind through dreamless eye-shutters
       Blocked by old-fashioned stone, brick and wooden carved hands

Holding my dancer, lover and beauty
      To the song of my dreams
Woman of my life
      Who holds no passion in sleep, and dreams awake
...
On the pedestal of a forlorn warning
      That no shore is safe in this dreamless state without dance,
Yet to sing and become a new dance and dream anew
      Before naked freedom announces song’s ending


Saturday, 6 October 2012

Reflection on "Mary's Near Death Experience" solo theatre by Jamie Tea

Photo: Performer Jamie Tea. Photo by: Tim Nguyen/Citrus Photography.
Jamie Tea Tognazzini's solo show, "Mary's Near Death Experience" at soulOcentric had me laughing from start to finish. The performance was hilariously charming and impacted me on so many levels. Firstly, the show had many references to concern and love for the ocean, which from my previous post "Reflection on 'Save the Humans' lecture by Rob Stewart" one can see is an extremely pertinent and worthwhile issue to raise in all forms and contexts in the public eye.

Jamie Tea enlightened that perspective through a great bravura of comic timing and voice acting which grabbed the audience on a journey into the space age, complete with the naivety of a southern-belle with a knack for religious experiences and a jaded Coney Island street worker. The shapeshifting ventures were spurred on by the dream of a "cosmic wonder-fish" which led Mary to the Moon, to admire spacescapes and woo the audience's imagination with a subtly refreshing candour.

I've known Jamie Tea from her work with Green Fools Theatre, during their Outer Space-themed 2011 Halloween Howl show. It seemed almost as if Miss Tea had projected her character from that previous show and placed her unique acting genius front and centre.

Stay tuned for Green Fools Theatre this Halloween!
_________

Oh! I know that recurrent clarity, the open water: the blue ocean when calm. They say a oceanographic project recently cleared a magnificent coral shallow, with its cerulean majesty, awakening the surface of conscious freedom from the lowest of depths, the inertial core, to the highest of realms above in the unspoken silent space of brilliant sky. 

Mediterranean by Nikolay Dubovskoy Sredizemnoye
Unafraid, I swim. Sharks are a passing memory, and fish and dolphin happily glide atop the water with a bounteous air, showing their fins with the gentility of a human smile. The water is cool, refreshing, and I swim eagerly, immersed in its healing, maternal body. 
_________
Our modern lives run clean through this cursed river
Our blood dirties, streaming from the porous core
These are wounded oceans.
We sink, while the light of the world floats amiably to the surface
Belly up.

- excerpt from "Belly Up"