The three-tiered modes of consciousness, being unconscious, subconscious and conscious are reflected in the synchronous relationship between dream and memory. This is a daily experience from which we may understand the depths of mind on an elementary level. Fundamentally, it is a known fact that all people, and even many animals, are inevitably sent into the subtle realms of dream; it is part of our natural physiology. The three modes are as follows:
Unremembered dreams are phenomena of the unconscious. The subtle emotions that the body and mind feel as a reaction to such dreams are only known by the most acutely aware.
Dreams that are had, and are known, where the dreamer on waking knows they were dreaming, however cannot remember any specific details apart from references to waking experience, are manifestations of the subconscious. At this point, waking and dreaming states of consciousness meld into a noetic dialogue, an inter-meeting, wherein the fluid exchange of reason and sense are exchanged with imagination and emotion.
Dreams that are remembered vividly, and dreamt lucidly, are part of the conscious realm. Most people are not fully conscious in their waking life, meaning they are not fully aware and actively engaged in their own lives, as in the source of their own lives, spiritually, mentally, emotionally and physically. A conscious dream is more than a physiological memory of the natural, instinctual imagination, it is a gift from the transcendent inner world, a gate into our inmost being, where we contact that which seems at once incredibly strange and entirely familiar, our fully exposed, and whole selves.
The sting of marshland rushes bruise and cut the soles while tangling the toes in knots of wet, risen moisture. The earth perspires with enduring anxiety under these blank skies. Emitting the hot sweat of gaseous vents through the decaying roots and bacterial soil, I trudge.
|The Pontine Marshes at Sunset by August Kopisch|
On the horizon, a large city is burnt to ash. They say it all begin with the conflagration of a movie theatre, and a plane crash that split the small city in two with massive fires extending outwards. Not a soul survived. The earth feels cleansed by the death of a throaty death rattle. The decay of human bodies seems to rise as from the strength of the grasses rooted in the damp, dank shifting ground.
|The Unknown by John Charles Dollman|
Above our heads, a plane spews hot trails of ash. A man behind me loads a rocket and stings the plane through its side. I watch as the behemoth machine incinerates in mid-air, crumbling with a hauntingly delicate rush through the death-consuming land. I am surrounded by a feel of homicidal, at once in the horizon, while within the breast of the alive. The air is heavy with fate.
On these deceased pangs, longing to embrace ghosts
Long shied-away, deep within memory’s misbegotten despair
The diminished poor bear arms while the rains fall
Calling them home no more to breath
In the air of pure and raw savagery
Beckoning our rice-fought union to work
In undivided shame across river’s breadth
That brings wealth and a name to the American prince
With breast inflamed
Prepared to reason with his shame
And engrave in the desert an unplanned way
Freeing spontaneous whispers
To a last pleasurable remorse
Upraised and sacrificed
As great offering to the Klezmer bonfire
Whitewashing the New York tide with Greek verse,
In one soundless escapade towards relaxed state of being
Cyclically bridging the human body with the global fate
In one silent orbital wave that resounds instantly in every curve of lost strength
Between arms where the beat follows to our brethren and kin,
A growing and invisible host to our name, thinking up a sound
And so, calling forth the blessed invocation of being
excerpts from "The rains bear down"