Primarily a writing exercise, this dream journal-inspired blog is a quiet introspective sojourn into the process that we traverse in going from private dream to public art. I see our dreaming as an internalized mythmaking. As I philosophize and expressively exhibit dreams, both private and public, I encourage and delight in creative language as a way to practice experiential metaphors through a “public dreaming." Writing Theory: Creative Dream Fiction
Showing posts with label Bodhisattva. Show all posts
Showing posts with label Bodhisattva. Show all posts

Sunday, 2 September 2012

The Diamond Truths of New American Colonization

Detail of the Frontispiece, Diamond Sutra from Cave 17, Dunhuang, ink on paper (the oldest, dated printed book, 868 CE), universal distribution made possible by Wang Jie
"If a good man or good woman develops the mind of a bodhisattva and maintains this sūtra, even with as little as a four-line gāthā, and accepts, maintains, studies, recites, and explains it to others, then the merits of this surpass the others...

All conditioned dharmas
Are like dreams, illusions, bubbles, or shadows;
Like drops of dew, or flashes of lightning;
Thusly should they be contemplated."

- Vajracchedika (The Daimond Sutra), 32
________
Only a few days prior I had only passed by the reserve, Tsuu T’ina. The dilapidated rodeo stadium seemed dwarfed beside the traditional tipi stands, piercing through the pine forest canopy. Though, their well-worn canvas was visible in the instant of passing. And on down the highway, the billion dollar estates of cookie-cutter middle class residential colonies staggeringly featured on hillsides and valleys with the shallow, crooked smiles of worldwide settler ignorance.

Invited on reserve, what was I to expect. It became all too real and just so warming when in the presence of two young women, sitting on felled trees in a forest glade. They were humble, kind and open. They told me about the human experience, the incomprehensible ways and wherefores of corruption and the weary distillation of progress with or without wealth, on or off reserve. The original crime is at hand, though, truly, the unforgiving hand of an all-deceiving colonial contemporary oppresses us all.

This was my realization, though she didn’t have to say it as such, just kept flashing her warm smile and welcoming presence. A tea offered with such candor on a land infused with such bitter rumors, emptying on your heart with the depth of tragic realization, as viscerally near, as your own heartbeat struggling to course blood through your veins before the awe of an expectant spiritual confrontation. And here we were, sitting in the quiet peaceable forest. Three youth, peering out through the sun-cast opening towards a picturesque vale of mythic proportion. The warning sky cleared, as with ethereal empathy just for us at that moment. The sunrays cracked through the forest shade, enlightening the smoky dust. Looking at such wide-open beauty, I drank in the wild vocation of rapture at the mere sight of ecological wisdom in its simplicity. Yet, to the north horizon, as we looked west, a mountain had been reddened, as an eviscerated body, heaving the dim breath of laborious, earthly pain. I shrugged in careless abandon, questioning the lady to my right. She told me, briefly, of the catastrophe; a mistaken excavation, fruitless for all, rendering the mountainside clean of life.

Walking back through the town, I was led to meet others.
________
________
names tearing at the throat from the machete claw
breaking apart the vocal chord forests
dreamt in saw-cleared eyes
during the infamous winter of English settlement
from the prized mouth and stomach of burnt corn and lacrosse 
pages, ruffling in the French-Canadian afternoon

who remembers with sterling grace
and an ease unbeknownst in the blank wilderness of Western memory,
the oral grave of intergenerational strife
digging itself extra corpses to save face in the final rain of time

- excerpts from "New America, Go Forth!

Sunday, 4 March 2012

Tara Sadhana for the Anthropomorphic Newborn


Three Bodhisattvas Witness World Compassion Harmonizing by Vi An Diep

Praising Tara by her divine actions of dispelling conflicts and bad dreams

Homage to you who are honoured by the kings of the hosts of gods,
And the gods and the kinnaras.
Through all your joyful and shining pervasive armour
All conflicts and bad dreams are dispelled.

Last stanza from “Offering the Mandala” 

Thus, O Sublime object of refuge,
Please quickly protect all living beings
From fears such as sickness, spirits, obstacles,
Untimely death, bad dreams, and ill omens.


Colophon: This sadhana has been compiled from traditional sources by Venerable Geshe Kelsang Gyatso Rinpoche in response to requests made by students of Tara Centre, and translated under his compassionate guidance. September 1989.

Excerpts from Great Compassionate Mother. Geshe Kelsang Gyatso Rinpoche. Tharpa Publications. 1990, 1993. 
______

It's a very ordinary day. It feels like afternoon to early evening. I feel the constant presence of an animal. My albino rabbit, named Salt in life, visited me. His head is in my hands. I pet him. I let him out in the yard. It was snowing heavily, and he, white as the snow, only appears through his beady, red eyes. Then, I notice a child running through the snow. The child came into the house and laid its head next to my lap, and proceeded to nudge into my hand to pet him. It's a boy, a mute boy. He looks at me with colorless eyes. I figured, how wonderful Salt shape-shifted into a young boy. Salt, now a boy, would hop out into the snow around the trees just like a rabbit. Immediately, he shifts back to a rabbit who hops out of my vision. 

A very silvery, glowing white cat with stripes. Upon recognizing the face of this cat, it was evident that it was my deceased cat. All the features of my cat were displayed. His charm and energy radiates. My hands are warm as I pet him. Suddenly, I cradle him in my arms, looking behind my shoulder, I see my husband smiling and laughing. I am speaking to Max, now as a child. He is an infant with the same eyes as a cat, but with the face of a child, staring back at me with such love and affirmation. I speak in English and say, "I want you to learn Chinese because I am your mother. I would like you to preserve my lineage through learning Chinese." My husband, the love of my life, is laughing in the background. In synchronicity my husband and young son speak in English. My husband says laughingly, "he already knows how to speak Chinese." The child says, "Mother, I already know how to speak Chinese." In my surprise I notice my cat turned child changed to four to six months old. Beyond a brick stone ledge, dawn approaches as a beautiful golden sunrise. His dirty blonde hair glistens. His eyes, expressing inquisitive curiosity and a loving recognition, are deep emerald green and brown. Sitting on that ledge, I taught him to say, "eyes (gnan)" in Cantonese. He stuttered, but was able to repeat, the word for eyes in Cantonese. "Gnan" he says. My husband smiles as if to say, why are you trying to teach him what he already intrinsically knows from you, his mother. The child chuckles and says, "eyes, ears, mouth and nose (gnan, yee, hoaw, bae)" I was shocked with such gladness and immense pure unconditional love for this being before me. "Ma" he would exclaim. I already know. He became a toddler and hopped off the sandstone ledge. His head rested next to my thigh as I stroked his beautiful dirty blonde hair, glistening in such glorious light. 

He, in another dream, the third of the sequence, shifts back to a silvery glowing, white, very happy cat. 

________

as her son climbs the dismembered mountain,
trembling with rocks of tragic failure
rolling down to kill my boulder of trash
damming the flood of human night

- excerpt from "My New Bride"